"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
第一次真的看 NFL 就是 09 年超级碗红雀打钢人 Larry 和 Warner 的悲剧英雄形象深入骨髓 所以这片马上就看了 拍得扎扎实实 挺好 | 和 Warner 在公羊一起拿下超级碗的总教练 Dick Vermeil 也是故事特别多的人 我刚发现从前看的马克沃伯《Invincible》 就是他更早之前在费城提拔草根球员的故事
剧情惨弱的同时，演技也没有出息，导致整部影片就是维持在低端B级片的水准，真心不如前作。
作为一个快打爽片 剧情安排还算可圈可点 虽然小女孩头上伤也消失太快了 给特效化妆师抠盒饭！
"Life is not about what you can achieve. It's about what you can become."
抛弃了上一部的气场和惊悚氛围感，由恐怖片转为动作片，基本就没看头了。
2、一老一少从头到尾都快死了也就是不报警，就自己硬扛，国外真恐怖，连个治安巡逻的都没有，我们这边有人喝醉酒闹事保安马上过来劝架😂
可能算得上救赎故事中最好的演绎之一
第二部变成了盲人版的飓风营救的意思，进入剧情很快，但是为了发挥盲人的最大优势只能拍晚上的戏，可是灯光这么暗又是对主打动作场面的电影的极大限制，只能在致命一击的时候給大特写增强冲击力，其实可以按照盲侠一类的路数拍，如果按结尾那个意思还想拍的话，女反派演技很突出
前后两段场景呈现出明显的撕裂感，前半段更接近第一部的质感，屏住呼吸，紧张而又刺激，后半段只是纯粹的杀戮，血腥有余，张力不足。整体不如前作。
第一部印象深刻的关键是密室封闭紧张的氛围和“盲”这个元素在黑暗中的最大化运用，这部沦为模式化（烂大街爆款）的逃杀复仇片。
剧情上面有点扯，亲生父母寻找女儿的目的令人不寒而栗，而且瞎老爷子的战斗力实在是有点爆棚，甚至被完全控制住还能让他跑掉，真不懂到底这些反派才是瞎子还是弱智.........
水箱电线火焰 狗和小弟的反水 水纹三杀一波带走 红色烟雾杀父剁母 强设定反派父母坏到底心脏移植续命 结尾的手指微颤不要再来续集了
真实传记，所以没有太多意外，好在各位都演技在线，不尬。
确实是把老头定位成正面角色来拍，但是剧本仍设置了一个不错的讨论环境
抛弃了上一部的气场和惊悚氛围感，由恐怖片转为动作片，基本就没看头了。
少了前作的窒息感，只能当普通得动作惊悚片看。心疼小女孩，无论亲爹还是后爹，没一个正常的。
没有第一部惊艳，但还可以一看，老头尽力了....
还行吧 补了第一部原来失明老兵最后口中的那些恶事是真的 所以第二部结局这样也不可惜 害过人救了人 even了
堪称艺术美学。
不看橄榄球的人，估计无法相信上次公羊是怎么拿下超级碗。电影拍的一般，背后的故事光听听，就能够燃爆。最热血的故事都不需要拍成电影，用言语传颂吧！
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