Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
Not just another birthday, it's 30/90
比上一部身在高地好多了 歌也好听 选加菲就合适！ 这种蓬勃的少年气 失意的脆弱感 太好了 网飞不趁着这个热度再放一版rent的官录嘛！
还行。非常强的theater kid风。就看你接不接受这个风格了。但良心话，这片的CG做得太丑了…
musical来说歌不行真的硬伤 讲述故事的方式也太平庸
'三十而立这种东西怎么全世界都一样的
所以为什么这个也能单独拎出来整一个词条啊。。。
卡着ddl写歌面临的各种窘境，有点阅历的社畜都会共情…… 加菲演得太好削弱了一些音乐剧改编的舞台感，双线音乐会结构LMM掌控得也不错，游泳池的设计蛮绝
2.5。还是All that jazz好看
艺术创作等于燃烧生命，mediocre没有火。
i don’t know why are people riveting about this, let’s be real, with netflix providing their best crew, 有手能拍只能说
don't know，don't care
主角们成长的过程，夸张又卖萌的轻松剧情，无限列车前篇。
无畏的追梦人万岁，自己做不到所以更羡慕，永远为这样的人献上敬意
音柱·宇髄天元
3.5。後半段真正意義上擺脫了音樂劇形式的束縛，開始了真正的影視化改編。但此處的「真正」也僅指分鏡層面，畢竟對彼時政治氛圍和社會環境的描摹極為不足，導致本就不多的現實感「折上加折」。雖然以創作者個體視角切入本身並無問題，只是在現在這個年代用小切口談《吉屋出租》，多少有些浪費題材了。
有考哥的地方就有我～虽然是tv合集，可以当听力再听一遍～
太爱这部电影了，加菲我是夸累了。
相较电影似乎更应该被称作数字化音乐剧，然而毕竟是不同的艺术方式，在音乐剧中时髦的东西说实话早已经是影视中的普及技巧；安德鲁演得好棒。
看《吉屋出租》的时候就在想，得是灵魂多干净甜美的人儿才能谱写如此动人的曲？果然，作者拥有过残破而富足的天才人生。
时间滴答，看起来总是不够用，我们究竟要怎么从梦想与现实抽脱？有时所有破事总会在一刻爆发，鱼和熊掌不能兼得，而这一切都有所选择。
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