Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
本片是蛮好笑的，我在某场所嘴一直是被逗裂开的，特别结局高潮那段哈哈，直接给我暂停埋头冷静了一下哈哈...本片大部分喜剧成分其实是涩涩方面的，虽说法国是浪漫之都，但搞h可特别钟爱，其中很多喜剧涩涩桥段又憨憨又蠢萌，同款操作换别国家拍可能真没这有趣的味道。以前我看过一部同样是法国喜剧电影《洗漱睡觉吧！宝贝》其中男主有一段模拟嘿咻的演绎震惊我一万年！不得不承认法国的涩是最调皮的性搞怪.....法乳自己，恶搞巴黎圣母院哈哈。女主好好看！原名也叫爱丽丝！我更爱！
I'm nothing. But never back down.
①从那么远还能遥控爆炸。。就有点崩盘了。。②中间女朋友出现，然后直接消失，直到最后才再次出现，实在是失败。搞笑片而已。不值得深究了。
该给的超英画面一点都不少于超英
这部电影和内地电影近期比较相似的就是贺岁档这个杀手不太冷静，也是讲演戏期间发生的乌龙和搞笑的事情，只不过法国人的开放程度更大，所以笑点更open一点，整体好笑但一般。
哈哈哈哈哈哈，真的笑死了，各种恶搞，蝙蝠侠，蜘蛛侠，复仇者联盟，碟中谍，x战警各种恶搞一遍，法式幽默，全片还贡献了三段还不错的动作戏，推荐，我真的太喜欢菲利普拉肖了，他的电影必看
#小两口的午后影院
哈哈哈明摆着恶搞还蛮好笑的，很多点都巧的很好玩
吾一贯比较不喜欢滑稽戏，即靠滑稽替代幽默的喜剧，通常很难得到吾之赞誉，大抵因为滑稽已经被巴斯特基顿、查理卓别林用得登峰造极，后世除了憨豆实在很少人或作品能把握好滑稽的尺度。
3.5 法国人对鸡鸡蛋蛋梗真是乐此不疲 好好笑 泡沫子蝙蝠投影xs 汤哥律师函警告
561 五星只是因为这部电影让我想起了one tree hill和friday night lights，太久没有这种体育电影了。他俗套却又吸引人。深究内容，这种22岁远离职业篮球数年的人能进nba得是怎样的天赋，几乎不太可能出现。不过无妨。我一直不太懂为啥要找埃尔南戈麦斯来演，不过演的确实不错，华子演的也挺出彩。博班的搞笑效果确实可以，毕竟是出镜过多次的人。
近些年难得的喜剧片。幽默处流畅自然，刻意夸张却毫不尴尬。恶搞超级英雄，从情节到音乐再到造型。故事脉络很简单，但却能灵活运用到每一处埋下的伏笔，做到剧情中无一处废话，任何一帧画面都有其意义，十分难得。愈发觉得拍好一部喜剧电影其实越来越难，人们的泪点或许可以恒久维持在某个固定的平均水准，但笑点却总在爬升。
这种电影不用看就知道结局，但仍会沸腾，成功没那么简单，需要付出很多
有些桥段还是可以的，整体不如前作《城市猎人》，剧情编排和包袱时机都很随意。
当之无愧“扁福侠”法国人狠狠地恶搞漫威和DC英雄们。菲利普·拉肖俨然已是法国“周星驰”了，将他一贯无厘头剧情与烂俗桥段掺杂风格发挥到极致。还将法国这几年发生大事件也搞进来反正逗你一笑就好，最后把汤姆哥也搞进去是不是有点过分？！
全程搞笑
很好玩。演洛儿的那位有没有一点小泽塔琼斯的味儿啊？
我只能说很遗憾亚当桑德勒没能贡献《原钻》中的精彩表演，甚至辞职那点都演的平平淡淡的，我有点失望
女主好能打 太喜欢她的身材跟攻击力了 又学到了一招扫堂腿和提内裤攻击
求有个用显微镜观影的镭射眼来细数一下如此有诚意的致敬彩蛋。
Copyright © 2015-2023 All Rights Reserved
