Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.
好中二的一部青春片，重金属只是其中一个小元素，更多还是在讲述青春，朋友，春心萌动，成长和梦想吧，换汤不换药的剧情套路，虽迟但到的“处男处女”和“磕药”。话说其中男主怼天怼地的行为让我有一瞬间还怀疑他是不是磕药磕多了，虽然这大概也是大众对于重金属精神的理解吧（唉）。最后比赛现场还是挺帅的，结局也有一点出乎意料。6.5分
非洲无烂片。这1980年的南非看起来比我们现代化多了。
音樂電影還是找個懂一點的來導才比較好看，這樣梗才玩得起來
为何豆瓣没有男主演Thabo Rametsi的词条？
因为家庭原因造就的狂热的金属少年，人畜无害的爆裂鼓手，易冲动的大提琴手。这个组合在一起总会擦出不一样的火花。在流行乐和现象级乐队充斥的环境里金属乐显得是那样的格格不入，但是金属精神就是要打碎这一切的偏见和轻视，用实力去征服他们。
在你还未见到敌人之前，你的品德便会在他们之间颂扬——《天国王朝》
故事俗套，男二基本就是照着奶哥弄得，男主毫无个人性格，女主还可以，停车场那段非常可爱，最后演出那段还可以。
自由的代价是什么？“一切”！节奏有点拖，再紧凑一些更好
音樂電影還是找個懂一點的來導才比較好看，這樣梗才玩得起來
欧美juan青春期校园套壳金属乐，爱得稀烂+梦龙驻唱，还有老牌金属人客串，挺好笑的
中二摇滚少年的热血青春（我艹超酷的好吗！）
仿佛看见了哈利波特还有贝拉。。。哈利波特重生之校园金属狂潮
导演应该是曼德拉的后代，拍的不太好。中间有些事情交代的不清楚
片子里的各种经典片段听着很爽，但是剧情就有点水了。事实证明乐队还是需要个贝斯手，结局算是编剧认清了重金属在当前音乐潮流中尴尬地位~
在年轻的时候，为自己想做的事而努力，可能这并不是想做的事，只是刚好遇到了可以努力的事
鼓手的梦想 随便练习一下超神 富b朋友赠送dw收藏家 艳遇高发 可爱女友
男孩们都长得好好看啊，冲着颜值可以一看，美国的高中生活真是，作业太少，所以想干嘛干嘛，就是这个爱好好费钱。
三星半，超可爱，女主被bully完全没道理，那么美。
总结:
笑点和燃点都在最后的battle of band上
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