Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
每次看完这样不可思议却标明真实事件影片都会觉得自己的生活太苍白。
老式又浪漫，谁不想要一群可以在海边倒数看夕阳的朋友，还有一个在桥上依偎跳舞的人。
LGBT的电影，就是have fun，剧情一般，颜值一般，只能靠身材支撑吧，哈哈哈
不太满意这个老套的结尾。热心肠Noah很赞。
是美国版《小时代》哈哈哈
有喜剧搞笑幽默的元素，也有大尺度香艳的场面，演员演技也都在线。老面孔好多啊，非常惊喜！希望以后多拍这种类型的同片
上手一个经典故事，并进行更时髦的更新：很多的“肉”、很尽兴的彻夜狂欢、很emo的同志感受、很经典可期的“gayfron梗”以及在各大影视剧努力绽放光芒的配角们。考虑到Joel Kim Booster和杨伯文本身的喜剧功力，Andrew Ahn在《车道》就早已炮制的出色气质，还有对各种尖锐话题进行漂白粉饰性的回避，仍然感觉像张题材试水的“安全牌”，无意完成本应轻松拿捏的推陈出新。但它依然扎实，并且在骄傲月拉开大幕之时源源不断地释放热闹、活泼的能量；快投身于这个夏季，尽情地爱，真挚地面对自己；在炎热之际，唱布兰妮唱Donna。始终很欢乐，并丝毫不介意这般简单。
恐一些典同，我不如直接去看青筋弟弟和内向张张。
当代亚裔同志玛丽苏版傲慢与偏见。不知道怎么，想起来看了有17个年头的queer as folk，那个带来的感觉都更真实。
虽然非常的cliche，但还是很欢乐的。gay版傲慢与偏见+1
完全的gay版傲慢与偏见 编剧也太省事儿了吧？ 直接照搬啊 好歹搞点创意不行吗
excuse me, I wanna have a moment with my sister.
真羡慕丹麦人，连荒岛余生都是简单模式。他们有两个人，有用不完的燃料吃不完的食物，甚至还有个安全屋，在北极生活八百多天俩人的胡子都没有丝毫变化，心理上最大的危机是幻想出来一出三角恋，最后被契而不舍的救援队救了。PS：结局处有大船的彩蛋。
挺适合骄傲月的一部电影，我看到的时候，第一反应联想到的电影是《纽约皮囊》。一群好友，一年一度的假日，一场接一场的PARTY，在这个岛上只用想如何释放自己，放飞自我。
典同专属？？？就很boring～通讯录的vacation和emo梗依旧这么扁平化吗？btw典同派对的音乐一如既往的烂～
好多优质肉😱，颜值也不错，看完真是羡慕主角们的友情
好无聊好模式化，戴眼镜那个长的也太像偷着乐了，导致看的时候更没心情了。
居然如此纯爱…..而且是大团圆结局…….一下就俗不可耐…….
Cringy all the way我自杀了，旁白是为什么？黑人的出现真的只是为了出现根本没有角色，连三分钟剧情都懒得安排给他，if you’re here to see Conrad, it’s really not worth it. 最好的证明Chemistry不是接吻就有的。fml
这部电影的教育意义我想就是Live it up活在当下，趁年轻青春还在要好好享受生活do whatever you want ！
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