A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.
If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDb:
I have always wondered about the disappearance of "Deluge". Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams & Co., I'm still puzzled, but I have a theory. In 1933, "the code" was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, "Deluge" does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy "Convention City". It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.
毫无疑问 black horror的新高峰！群体痛苦连结
恐怖片加上社会现实问题显的给外出戏，恐怖元素没有加了一大堆血浆凑数，欧美恐怖片新类型“政治正确恐怖片”
女主最后杀那个疯子的时候，一定要让对方死透的气势很不错，希望其他恐怖片主角们学一学
这就是一帮无聊的小bk，自个儿找死脑子玩儿（请大家用天津话理解我说的）
candyman
喊五遍candy man，一个黑人来杀人。
爽!blm的历史环境下，好电影也有，烂电影也有，本片肯定是属于有想法的那类，视听和节奏像浓稠甜腻的candy，文艺片的气质却在杀伐决断上干净利落，画廊老板、白人评论家、校霸太妹、种族歧视警察四次霸凌者之死优雅不失骇人，怎么能不拍案叫绝
对比《绝命镇》、《我们》，《糖果人》爽快的复仇回馈背后，是难以掩饰的戾气和悲凉。电影整体比起理智的反思、更像是有指向性的威慑，白人犯贱必作死，没有一钩子解决不了的问题，如果有、那就两钩子。算不上谜题的谜题让这部片成为一种近似邪典和民族控诉，仿佛在警告所有白人：把我们逼疯了，可不知道会做出什么事来。
如果当恐怖片来看，太委屈这电影了。光和运镜非常有质感，诚意十足。
7/10 Successful for a horror movie, but then the lack of finesse really shows when you have too much to say through a horror movie but don’t know how to deliver the messages artfully.
好家伙，又是恐怖塞进去政治议题。这还看不出政治议题，那我就只能……
对比《绝命镇》、《我们》，《糖果人》爽快的复仇回馈背后，是难以掩饰的戾气和悲凉。电影整体比起理智的反思、更像是有指向性的威慑，白人犯贱必作死，没有一钩子解决不了的问题，如果有、那就两钩子。算不上谜题的谜题让这部片成为一种近似邪典和民族控诉，仿佛在警告所有白人：把我们逼疯了，可不知道会做出什么事来。
6.3 非常“聪明”略去了亚洲人和黑人念出最后一次名字，且略去了社区的概念，蜂巢幽灵也只是直观的蜂群而已，并没有将社区楼房的居民视为蜂，在这一点逊色于《廉价住房》，对于结局，导演该去看《趣味游戏》
恐怖的candyman在种族歧视面前也成了唯一的守护者。唯一的bug就是男主身上的蜇伤和烫伤是怎么蔓延开的。还有candyman到底是shaman 还是巫师？很多细节都没有交代清楚
一部包裹着黑人平权意识形态的惊悚片，讲述方式还很直白。
3.5，对于黑人剥削电影范式的一次元叙事运用
这就是一帮无聊的小bk，自个儿找死脑子玩儿（请大家用天津话理解我说的）
哈？哈？哈？！基本的故事都讲不好，还搞这么多“明”喻。可惜了好看的女主和不错的配乐。
竟然是部恐怖片，很遗憾美式恐怖没怎么看懂！种族主义问题比较严重！导演太显摆，镜子正反摄影不错！
6.0/10 糖果人的概念再延展泛化，将其形象的产生和整个美国黑人群体的苦难史挂钩也煽动性十足，但是《糖果人》终究是给被压迫者的精神鸦片还是革命指导理论，导演却始终不敢给出一个答案。
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