Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
差点和《偷窥者》搞起来 都是同样的一对男女 同样《后窗》式的神秘感 却是截然不同的故事 两部我都很喜欢 果然心理惊悚才是最精彩的
无聊 虽然摄影不错 但是感觉硬是八一个短片的体量拉成了一部长篇 人物故事全部空核。
主观地忽视别人的担忧，无论是否有道理都非常影响感情
故事很套路化，不过拍摄得细腻真实，作为男生我认为应该多听听女孩子的看法，保护她们从我做起
超级喜欢这部电影的色调和质感！冷色调YYDS！最后反杀真的爽爆！！😬
好拖沓的剧情 好奇怪的反杀 但，好准的第六感
就还是那么老套路吧，所以他们好像加窗帘会死
当然，这，也只是可能……
男人永远不能感同身受
这是那种适合在长途大巴上偶尔瞟一眼的东欧恐怖片
不太行。女主的很多行为看不懂，女主的男朋友就是个撒比
不是一惊一乍要故意吓唬你的恐怖片，整体节奏很平缓也很阴森，可能这就是现实吧
铺垫部分技巧明显，但，还是精彩绝伦。恐惧从枪眼里爆破出来，叫爽。
Lesson learned: 男人要相信女人的直觉，女人不要跟着男人跑。
是的，我好像就是喜欢这种“房子美女大夜灯惊悚片”，不知道跟我宅有没有关系。 女主要是再有逻辑一点，再聪明一点，可以再细思极恐一点就更好了，最后这个点不够爆…地铁站塑料袋那我很喜欢！
话说，一个人到不熟悉的地方语言不通应该会崩溃滴吧
那些隐藏在真实生活中的罪恶，正如同电影中体现的那样，捉摸不定，含混不清，却又如影随形，绝大部分人，无法在生活中的罪恶发生之前锁定真凶，而身边人的猜疑和漠视，更是将受害人推入绝望的深渊。影片最后，女主虽然奇迹般地反杀，可那更像是导演为了宽慰观影者的心灵而编织的童话，反观现实，我们只能看到受害者的墓碑。
丈夫、邻居、警察都无法理解女主的恐惧。谁能想到呢，半个世纪前铅黄片只是一种低俗的噱头，时至今日却成为现实主义电影了。
原本剧情三星，但这题材廷喜欢加多一星，后尾反杀太快。。但中间部分代入感廷好。。
包豪斯般的冷漠世界，相互冲突的欲望与人性碰撞
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