星际大佬在六零搞科研

星际大佬在六零搞科研 高清

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9.0 推荐

分类： 欧美剧 1995

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剧情介绍

With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.                                    
                               Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.                                    
                               In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.                                    
                               Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”                                    
                               Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).                                    
                               Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”                                    
                               Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”

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评论:

  • 崔和豫 5小时前 :

    看出导演和演员都很努力，但是，有些东西是努不出来的，举手投足间它天然的就在那儿了，任你再难为自己也走不完那最终的几步路……请勿碰瓷《闪灵》，4⃣️🌟是看在诚意的份上的

  • 周慕山 8小时前 :

    电影挺一般的，更喜欢导演的《第一夫人》，同时为演员的冲奥作，K还是比波特曼差一截。她的个人特质太强了，努力学习王室口音，也就这样，表演还是要天赋。作为K的颜粉，较失望。

  • 佘佴青亦 2小时前 :

    口水电影，倒是挺正直，也挺有个性，但总觉得缺了点什么，看完就忘了

  • 仪香卉 0小时前 :

    作为传记电影来说剧情显得很片段，仅仅几天的时间跨度也没法很好描绘这个复杂角色。戴安娜的悲剧无疑是源自英国王室，但电影中对于英国王室实在太给面子了，只是整了一些一语双关的台词和情节内涵一下，这还不如去看一些纪录片

  • 叔星纬 4小时前 :

    和安波琳的对话 马桶上的礼服 柔光滤镜 女仆 稻草人 肯德基.. 很多有趣的切入点 谁会不爱美丽和叛逆呢 想到戴安娜在重要会事上睡着的著名照片 小k整个形象到表演还是太单薄

  • 敏菲 8小时前 :

    优映这是要转型做广垫让播的片子了，挺好的，虽然带上了镣铐，舞姿依然惊艳

  • 坚寄灵 0小时前 :

    我是被女主讲话的方式，她的“喘息声”劝退的，直接删了！

  • 文信鸥 1小时前 :

    you are your own weapon

  • 上官运鸿 3小时前 :

    明明阿萨亚斯把克里斯汀·斯图尔特调教得好好的，为什么在这部片子里又成了这副鬼样子？所有纤细闪动的微表情非但没有表现出王妃的敏感痛苦的内心活动，反倒显得无比地做作、神经质。

  • 心采 3小时前 :

    压抑孤立的形式感始终做的很足 配乐是心理惊悚感的加分项 但文本实在是减分项 削弱了镜头设计上呈现的被控制与无助

  • 塞文墨 3小时前 :

    独立小k进步好大阿，或者说其实这种类型很适合她发挥。

  • 孝亦玉 7小时前 :

    K是有多想拿奖……恳求导演离开好莱坞吧，老是用女演员+传记片，他不烦我们观众也烦了

  • 宓宏富 3小时前 :

    行吧⋯⋯拍一個厭食催吐遲到任性令人討厭的戴妃，出軌的又不是她，能不能給她留一丁點的顏面？講真後半部分變成了時裝秀我也是不太懂。

  • 季修为 2小时前 :

    猎场，后厨——转向窗帘线钳，多余的彩雉，稻草人的外套~

  • 夙盼夏 5小时前 :

    演的其实一般，但努力了。KS比起她前男友灵气才华不是少了一星半点

  • 农乐蓉 1小时前 :

    对于斯图尔特的表演评价真是两极分化。不过传记片里，演得是否“像”也不是评判是否演得好的唯一标准。以及戴安娜斯宾塞原本就是一个离大众极远的人，大众说了也不算（这部片子已经把这个距离尽量缩短了）。导演适合拍恐怖片。（一查果然拍了一部金）

  • 华梓 3小时前 :

    硕大珍珠项链，却令人窒息，崩溃不已

  • 寒凌翠 4小时前 :

    这不就和马思纯演葛薇龙一样惊悚吗，去IMDB看了下，6.8……果然豆瓣评分已经不能看了

  • 帖辰皓 4小时前 :

    戴安娜，或是困在时间里的斯宾塞。时间在这里不再构成电影的推动力，因为观众几乎不期待再从这个家喻户晓的悲剧里获得什么新的故事。因此导演很机巧地将时间和戴安娜并列为主角，讲述了一个她们如何失去彼此的故事。

  • 冰家 6小时前 :

    冬冬那段打戏是强行给自己加的吗哈哈哈哈 包哥还是那么搞笑！

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