The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
韩东君被坦克反复碾压的时候,我的心也被碾压了
没看1直接来看2了,有一些场面拍的还挺有趣,但是整体故事性就不太行……
●钢七连。
宏大史诗,战争戏不如第一步,人物描写比第一部好些,特别是千玺特别出彩,某些桥段过于套路和主角光环,看着有些尴尬
人物的精气神超出的战争的氛围,一个严肃的题材拍出了娱乐的效果。
单就这部电影来说,拍得简直是...
不知道是剧本还是拍摄表现方式,显得整部电影有点怪。电影最后恢复七连建制时候哭成一头猪,回去要再看一遍士兵突击。
●钢七连。
他们的牺牲是带着祖国的尊严,是“此去泉台招旧部,旌旗十万斩阎罗”,我们的安定是带着烈士的遗愿,是“王师北定中原日,家祭无忘告乃翁”,
最近主旋律进步的地方:拿人当人,拿敌人也当人。战争不是士兵挑起的,是多种历史原因促成的,将军背上的是国家利益,士兵只是被卷入战争的活生生的人而已。
七连就剩伍万里一个人了呜呜呜,我的眼泪不值钱😭
7分,剧情比较平淡,有点假,不如能文能武李延年
审美疲劳,战争场面很爽,但是从头到尾有点无感了。另外配乐太多特效也太多不够真实感
可惜了好演员,只是这影片的追求实在是...
留个记号:只要不守疫情影响,水门桥的票房估计要比长津湖还高...
剧情简化成七连每个人是怎么死的,特效还蛮有看头,场面调度有点混乱,中国式英雄主义总是这样充满了牺牲和苦难。突然有些理解战争是如何作为毁灭和推进两种分裂的力量存在在人类文明中的,它是全人类的创伤,创伤无法消弭并且普遍存在。我们注定会前赴后继地为许多荒谬的意义制造战争,它本身即是惩罚。
使命、荣誉和坚毅让他们战斗到最后!致敬向死而生的英雄!
还是挺好的,就徐克特效太重了,以至于我不停的回想徐克的《智取威虎山》
从来没得岁月静好
不错!余从戎为掩护队友为敌机活活烧死那一段真的很震撼。致敬
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