The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
小花真可爱
万万没想到，sp比电影版好看...
这个细节还是做电视剧更对味啊。但泪点还是熟悉的泪点，作为怀旧（？）作品还算说得过去。
熟悉的Arashi片尾曲一响起，感慨万分，这会不会是岚全员演唱的主题曲最后一次出现在门把的剧里面呢。如果放的是Daylight怕是会更绷不住。1分给西岛叔的演技。1分给客串的奈奈和文乃，杉咲花很元气，但三位女主同框后发现还是第一部的奈奈完胜。
没有好案子就别拍了…剧情硬伤，但不得不说小花演技OK 希望编剧好好想剧情，能有第三季最好
加上两小时先导特别篇，算是播了半季新剧，这种时隔多年推出的剧场版续集的确是粉丝向，把两季剧集中的各种元素一股脑打包端上桌，吵闹混乱是必然结果，故事也属于看了谜面就立刻猜到谜底的那种。【不过还是加一星纪念这个系列正式完结。
好久好久，没有在片尾听到我团的歌了😭
日式大爽片！如果對於我來說爽片就是這種類型，儘管推理還是有點扯，但是還原現場和劇集一樣讓人精神高潮，推理的重演法，還邀請劇團實踐真的爽！雖然結局推理還是扯，以及各種和解，但是重演真的好喜歡
Movie果然还是会弱点啊 🥺但是卡司都太喜欢了 还是给四星好了 虽然不懂包庇四岁的小孩是为啥要迫害大人 有点意义不明 不过我还是蛮爱看沉冤得雪的案子
没看过剧集，所以觉得主角太装逼，不过剧本本身是很赞的，另一个律师演员的演技非常棒
………. 没必要没必要，连电视剧的规格都算不上
小花br香川叔可爱，西岛演技牛皮，奈奈文乃客串惊喜，dz演技有点太僵了...总体及格了，赶紧出剧版续作吧，感冒灵还是更适合剧版长度~
剧本还是太简单了，不足以支撑一部电影的长度和深度。
小花真可爱
比sp好很多，如果你看过99.9前作，那么是值得一看的。虽然前半部分仍然能挤掉50%的水分剧情，但起码就我个人来说，最后的结局是能称之为“社会派推理”的设计，甚至还融合了阿婆某名作，虽然点子有点老罢了。西岛秀俊这恶堕律师的角色有点不自洽，但演员的演技我很喜欢，同样很喜欢的还有恶堕律师女儿的那张厌世脸，我觉得好高级啊。如果不是这奇葩女主非要时不时来两声鸡叫（我真不明白导演和编剧咋想的），且毫无任何魅力可言，我可能还会多给一颗星。
同为刑辩律师，我们几乎不做模拟实验，没有这个环境，也没有这个条件。律所可不会给你报销模拟的费用（所长我们叫主任)……刑事辩护任重道远，有罪率99.9%毫不为过，不过目前有个聚众冲击国家机关罪的案子可能争取到不起诉（变相无罪）！
可爱 开心 快乐 案件重现拍两遍水时长有点明显 道枝作为反转点存在感却如此稀薄
emmmm 更像一个SP的感觉 特别喜欢那个和定格动画一样“啊” “啊” 的对话😂 还蛮喜欢小花的😶🌫️ 给卡司五分 给剧本三分 😶🌫️
比sp好看太多，但还是剧最好看。几年过去，感觉松润没有什么变化那。
J家是新增加了什么美颜磨皮规定吗？男主连下睫毛都如此卷翘实在是很奇怪好吗？全剧唯一有情感波动都集中在西岛这里，和香川叔对手戏再多点就好了。结局倒是没想到，有点挖色，村民为了两个小孩的前途却推无辜夫妇去死实在太过了，也没看到有什么负罪感。三代女主都出场发觉还是奈奈最可爱，文乃还是那么。。。。
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