剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 戴惜蕊 8小时前 :

    这种奉献很值得人钦佩,换我说实话我可能做不到,所以有像韩松这样的人真的让我很敬佩。

  • 卫童熙 7小时前 :

    演员虽然都不太叫的上名字但是演技没得说,很自然不出戏,哭戏都绝了,眼泪没停过

  • 始醉蝶 9小时前 :

    青青的藏区草原,飘飞的风马旗,石砌的玛尼堆,孩子们的热忱,尤其是为保护学校和孩子们牺牲的朗措大哥,深深地感动了这位支教老师。尽自己的绵薄之力,帮助那些学生使他们成长、成才。

  • 余淳美 2小时前 :

    写实偏记录的风格让观众一下子走进了他们的生活,藏区天然的物质匮乏以及自然风貌让我们感同身受,也明白人和大自然的和谐共处很重要,历史进程赋予了一代代人生命的意义,努力的意义!

  • 同蔓蔓 4小时前 :

    虽然说是事实,但是我扣了点分是因为结局的原因,!谁不希望有个好结局呢

  • 婷芳 6小时前 :

    今天观看了爱奇艺的网络电影《藏草青青》,这是一部大学生支教的电影,整个电影近两个小时,很多地方让人感动不已。学校在很偏僻的藏区,生活条件非常恶劣,主人公克服了困难,逐渐爱上了孩子们,也与学校里照顾孩子们的姐姐日久生情,选择留了下来,最终生命定格在那里。

  • 娄嘉懿 6小时前 :

    感动肃然起敬,我曾经也有过当老师的梦想,可惜自己没有努力,确实十分十分后悔。

  • 妫又亦 0小时前 :

    题材不错,取景不错,情节差了点意思,在打磨打磨会更好

  • 旁莹琇 5小时前 :

    那几个假巡山员实在太可恶了,看了心里揪的慌,太气人了

  • 寿湛英 9小时前 :

    让人心旷神怡可以静下心的电影,趁此机会也好好想一下我自己的追求

  • 卫瑞化 2小时前 :

    太强调奉献了,好人坏人都很刻板,不过小孩子部分还挺暖心的。

  • 和建同 4小时前 :

    没想到看到最后潸然泪下而不自觉。韩松最初支教是因为青春的躁动,最后一步一步改变着西藏的教育,为这些孩子的未来铺垫

  • 亓鸣晨 4小时前 :

    绝对好片

  • 仵依波 7小时前 :

    看这个电影,不禁让我想起多年前看的同题材电影——《美丽的大脚》,应该说两部电影相同点很多,后者展现的中国偏远地区,那种贫困更深刻一些;前者则展现的时间跨度更大,反映出在一批批支边教师的努力下,偏远地区教育状况的改变。

  • 司寇问凝 2小时前 :

    越真实越感人,说的就是这部电影吧,人类都是因为真实才被感动的啊!

  • 徭绮山 2小时前 :

    这部电影该说是励志呢?还是不励志呢,总感觉差了点意思,比起励志好像被逼无奈

  • 宜佑运 5小时前 :

    孩子们那一声声老师,真的挺让人泪目的,老师那不舍之情,演绎的也特别逼真

  • 卷建德 2小时前 :

    好喜欢韩松和梅朵这对,郎才女貌特别般配,要是感情戏在多一点就更好了

  • 剑代蓝 5小时前 :

    说一句感谢不为过!我们现在的生活充满了忙碌,也许真的应该停下来好好的关心下身边

  • 刁晴丽 8小时前 :

    这样的好电影不多了,给了教育工作者很大的鼓励,就算工作很累很辛苦,也一定要坚持下去。

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