Dom tells the story of Pedro, a handsome boy from Rio de Janeiro’s middle class who is introduced to cocaine in his teen years, putting him on the path to becoming the leader of a criminal gang that dominated the tabloids in Rio in the early 2000s: Pedro Dom. Shifting between action, adventure and drama, Dom also follows Pedro’s father Victor Dantas, who as a teenager, makes a discovery at the bottom of the sea, reports it to the authorities and ends up joining the police intelligence service. The series shows the journey of father and son living opposite lives, often mirroring and complementing each other, while both confront situations which blur the lines between right and wrong. Starring alongside Gabriel Leone and Flavio Tolezani are Filipe Bragança, Raquel Villar, Isabella Santoni, Ramon Francisco, Digão Ribeiro, Fabio Lago, Julia Konrad and André Mattos, among others. Dom is directed by Vicente Kubrusly and Breno Silveira, who also leads the writing team, which includes Fabio Mendes, Higia Ikeda, Carolina Neves and Marcelo Vindicatto. The series is produced by Renata Brandão e Ramona Bakker from Conspiração. Antonio Pinto composed the original soundtrack.
为什么部分华语影像特别钟情于点一堆烟然后打大光束，是一种新的恋物癖嘛？
最后反派的智商一下子为0，拉低了整部电影的分数
这里装逼的人太多，实话实说，比第一部好看！
故事一眼看到头，演员男一男二都有点出戏，但是画面调色和摄影很棒很喜欢，本身比较吃这类悬疑片吧
研读日记、调查妓女前文工团舞蹈演员、拜访退休老警察获得生还受害者录音证词，画出连环杀手肖像，却是被枪杀死者；
导演以为穿上哪个时代的衣服，找几个旧宅，就能拍出好故事，配乐太突兀。
角色大多很脸谱 人物塑造表面化
扣一分是应该请个好点的动作导演，正邪两只孤狼，互相缠斗
一般般吧，画面不错，气氛也不错，可惜故事生搬硬套，逻辑不通，容易让人出戏。
从驾车追逐戏和两场单挑中能看出，日系黑帮片在节奏和戏点处理上不如韩系黑帮片。一如上一部特具年代感，但总体还是缺少些东西。主角想游弋黑白之间，但很多思考方式和行为动机显得并不聪明，全片下来人物立得比较模糊。倒是反一够疯够BT，立志复仇看不惯当代生意化解仇恨的休战。时代在变，终究难挽回。
勉强4星半，照上部差点事，不过也很不错啦，上林是真猛，演员挑的好
桃李跟广司比火候还是欠很多，故事也是故意而为之，将近7分的评价我不理解。
原以为缺少了役所广司的第二部会变成续貂之作，却意外的被铃木亮平撑了起来。体制内的“黑警”与帮派中的“愣头青”，在这个时代，二代孤狼之战从一开始起就不会有赢家。
这个暴力美学有点深作欣二的意思，但是纯粹感官刺激就没啥太大意思
有娜酱，就有我，即便片子不是我喜欢的类型。
很一般。大概是导演个人回忆一部分（成长的地方）。芭蕾舞太虚幻，小地方还不如地方戏种为载体。
角色大多很脸谱 人物塑造表面化
两个大的问题：1.过多的情感表达让电影丧失了悬疑片的紧迫感和压迫感；2.悬疑不悬疑，结局太好猜了。当然也有点神话了画像师。
画面非常棒，有时甚至有油画的味道，剧情稍弱些
“世间众生百相，哪条路好像都能走，但你只能选择做一种人，无论成为谁，都需要勇气。”
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