The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
8.0,韩国类型片的味道,但总体中等偏上水平。想到几年前在电影院看的《一个母亲的复仇》,“强奸”这样的话题在印度这样男女比例极度悬殊、妇女权利“脱离”文明世界的国度更容易引爆,我不认为以暴制暴是一种好的处理方式,但面对极度不公时,它永远有必要!
一到关键时刻就刷一声的突然拉镜实在是太让人出戏了。
这简直是泯灭人性
新概念印度电影,标准的冲突情节剧结构,本土文化符号,印度社会现实的反思。电影作为集体意识的显示终端,女性视角突出,自觉成熟的女性主义表达,对新闻媒体的批判,个体自省。
最近两年印度各种觉醒的片子拍的都挺好
即使有女总理、女警官,依旧不能保护女性公民,如此可悲讽刺的现实。
At kinlong's apartment Through Thunder Local File just now
现实需要这样的电影。身份揭露,让有些戏剧化的剧情合理了许多。
Everyone deserves a second chance for his accidental mistake.
故事太悲催,她的人生充满失误与伤痕。★★★/6.8
黑公交让人愤怒和不能理解。看完后问朋友为什么普通人这么难,他说人善被人欺,马善被人骑……
议题确实切合印度社会实际,当然较为理想主义,现代社会肯定是无法让强奸罪死刑化的,印度这种男权高度集中的国家就更是如此了。
桑德拉这张死人脸 姐姐愣是演出了妈的感觉 监狱内外的人没什么两样 顶罪有点牵强了 汉斯季默配乐
除了警长家属的支线有点刻意,其他都很好。Sandra Bullock这么好的表演竟然提名都没提,离谱。
剧情槽多无口,影片速度太慢,1.5倍速正好
可以根据故事改变现实
但是不杀死司机 女主真的很难好好活下去 情绪积累到最后真的哭死
快乐教育就能强直打脸CSI这类美剧。
这剧情不意外,甚至有些狗血,但女主角的演绎和风格处理还是挽回了不少。
转折过于生硬,qj这个点抛出得太直接且滞后,但故事圆得非常完美
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