Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
现代人总在生活和欲望中迷失，更何况在崇尚自由至上的世界
中了新冠 睡了一整天 凌晨起來隨意打開 著在沙發玩著手機竟然看完了…………
想想和这部里面的黑岛结菜谈谈恋爱真是很不错呢（我在做梦）。北村匠海和黑岛结菜的一场恋爱幻梦，实际上也暗指理想和现实的落差吧。6.5/10
什么！他们居然没去fuji rock！太让我失望了！
我们总会这样，仍然走在曾经的地方，去怀念、去向往，是我喜欢的类型。
各种禁忌恋，却有真正的爱情。
不知道接下来要做什么，这样才有趣。
1890。真正的主题其实是父女情。连他女儿都很喜欢的前男友他也没有珍惜，自己一天持帅到处约炮。纯情同志找已婚男士淡感情是没有意义的。家庭，永远才是己婚男同心中的第1位。
有时候，过度的挽留只会让人更加痛苦
对我来说收藏程度大于烈焰焚比币，该哭的哭了该看的看了，我就喜欢sbaraglia这款
谈恋爱蒙太奇部分bgm是蘑菇帝国诶🥺（Tokyo— — — — —!!!
故事前后脱节。交往三年才坦白已婚也太那啥了吧。
这个有点平淡，比花束般的恋爱，而且一直在谈恋爱女主咋就突然有丈夫结婚了？难道一直是已婚？
故事前后脱节。交往三年才坦白已婚也太那啥了吧。
老婆还怀孕了
剧情有点老套不出众，但是Leo叔真的好帅，这样的外表真的会有中年危机嘛、
原来以为是花束 有反转还是挺好的。总体比较平淡
不负责任不懂如何去爱，受伤了还要从女儿处寻求安慰，摊上这样的爹，女儿还不跑？李奥纳多老了后肚腩也遮不住了，但是全裸甩吊跳舞值得，MEN 家的daddy 。
还有点好笑 要是烧烤的近景再多点就好了(●°u°●)」
秉承了爱笑会议室的幽默细胞，编剧，导演，演员，都非常到位，小成本大精心制作。中国的电影就应该这么拍，看得津津有味，搞笑又不失温情，结局合情合理，基本上没什么明显的漏洞。
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