"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
“作为上世纪就出道的60后导演，却有股年轻导演的冲劲。索德伯格属于少数的既能保持别具一格的作风，还能不断尝试自己喜欢的想法。这回是希区柯克穿越到现在拍了一部《新后窗》。”
估计是因为个人原因，感觉人设存在巨大不适感，故事发展的整个过程极其憋屈。
[视]露点，微血，导演<切勿擅动><神偷联盟>。口罩，洗手液，居家办公，人工智能，心理医生，户外障碍，左手执笔，右手鼠标。西雅图，大数据，大型科技企业，一体式房屋结构，后窗题材，摄影配乐独到，高潮前全是文戏。佐伊·克罗维兹
像一口气读完一部中篇小说
疫情电影，在家办公，天天站窗口，不知不觉跟对面楼的住户混得脸熟，口罩，消毒洗手液，高潮从女主鼓起勇气出门开始，镜头变形，节奏很快，boom，反杀，病好了，稳定关系也有了
代入感挺强的，从下楼那一段开始往后镜头挺好的，仿佛身临其境。女主蓝发好美，期待蝙蝠侠
题材倒是挺新颖的，就是后面的剧情没拍好，剧本还得再打磨打磨
实在是太水了，没成本就没成本吧…没成本能不能在剧本上下点功夫…浪费时间
犯罪片里的小清新，女主最后显额头有点大，之前的装扮好看。杀手🥷先强后弱
一般 但是每次女的都不爱补刀 真是不喜欢这种妇人之仁的塑造 本剧女主补刀补上瘾 钉子枪大站真枪 简直小鲁班 跑都不让你跑
Can’t really finish it, the actress is way too egregiously annoying and constantly distracted me.
太强行了吧！丑国大街上那么多热心丑国人的吗
惊悚故事拍的很乏味，观感很酷完全基于镜头运用，仰视斜角，所有角度几乎没有一个是正的，压迫感就出来了。
今天连续看了两部提及新冠病毒的电影《KIMI》和《瀑布》
不早一点911少一星，但是会补刀，这点太棒了加一颗星
本来想打两星，为后来的爆裂钉子改为三星吧，女主很适合这样的cool女形象，难怪演猫女了
就是现代版的《后窗》，探索大数据时代带来的道德伦理问题。
剧情简单略无聊，场景就一个（家），没有发人深省的思想内核，拍得很一般。
看之前期望是小而精，结果大失所望，索德伯格的片越来越平庸
疫情时期讨论与一种恐惧症状 新壶旧酒 蓝橙配色好好看
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