Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
出乎意料的好看，有日本动画流畅的动作和风格，但是节奏又快上许多，好评！
血腥、暴力、紧张、毛骨悚然、叹为观止。原以为只是简单的杀妻二人组剧情，没想到语言艺术、动作设计、娱乐气质、动感音乐均有高超水准，不得不佩服导演扎实的功底。另外，导演独特的僵尸电影风格得以延续。
还行 整体剧情讲的很草。。喜欢lady zerbst
既然有重要的洗澡的戏份，那就还算不错哦~但整体表现非常一般，故事没讲好，打斗也不过瘾。
制作极其精良，画面音乐都是一线水平。就是有点不对味，猎魔人的战力很迷，故事也改成了纯美式套路剧情，“邪恶政府研究秘密武器，最后超出控制，被正义的军人发现，大义灭亲拯救世界”看过无数次。剧情深度不足，仅仅是讨论了金钱和堕落，各族间的争端排外主题没有深入，更不用说对“命运”的表现了。猎魔人的形象没有立起来，他们的职业前景、所处位置、个人的内心挣扎、对国家种族的态度、信仰均没有表现。女术士的角色背景也没有深挖，很单调的一个形象，介乎于站得住和战不住之间晃悠。最后没想到杰洛特是个小吴克
〈三星半〉此片有门槛；光看这部不会让人有追这个系列的冲动。美漫画风。
没有在说我自己
不愧是网飞啊，先打打杀杀过足瘾，再抛出猎魔人存在的宿命，在一无所知的时候就出卖了自己正常人的一生，到头来所坚信的收钱打怪原来只是自导自演的收钱好戏。组织发展过程中，走入偏差偏离正道招致毁灭，悔改后留下希望，似乎有点熟悉，老灾难共和国了
危情夫妻勇斗三恶徒，剧情设计不错，亮点是各种意外环节。拄拐老爷子最为关键和牛逼。
比剧版好一万倍！每个人都错了，每个人都要迎接自己选择的命运，这才是巫师的剧情啊！
总体就是猎魔人搞“生化危机”被揭露＋鬼灭之刃“无限列车”的做梦桥段，整体很中庸，好在还有些猎魔人的感觉。
1，失败婚姻真是爱情的坟墓，实体的。
没有在说我自己
佳作，剧情紧凑刺激，人物塑造立体， 猎魔人玩家5星推荐，即使完全不知道游戏背景作为独立作品看也是上乘之作。
转折不断寓意深刻的电影，但是感觉具体情节非常违和。一般欧美电影都有一个废物女二之类只会哭喊尖叫，本片这个角色被电晕之后（感觉换了一个人）的男主担当，从此全程废物坑老婆坑老爹（不知道为什么我脑子里跳出来的是女主带资进组惹不起，然后乱改剧情）。期待我们肖导演肖主演翻拍去打原片脸（他翻拍的除了人潮汹涌其他都不错）
大反派—强到可以单手捏死男主VS男主—弱到连一块生肉都不敢抓，但同时又能强到把三颗台球塞到自己的肛门里。全场最佳：老兵！让我像这么快乐这么爽的反正不是我老婆。
女术士在风雪中摧毁山墙的那一段作画太美了，我流下哈嘶哈嘶的眼泪
题材不错，剧情思路也还行，如果把片中的喜剧元素去掉，拍成一部真正的惊悚/剧情/动作电影，三星打底，五星不是不可能；可是拍成这种所谓的cult风格，又加入了很多黑色幽默的片子，显得不伦不类、乱七八糟的，最多两星，果断放弃。
后面杀起来了，进卧室门之前戴夫是跟在老大后面的，不知道为什么转个头戴夫突然变成从屋外面跑进来……
情感主线渲染的很好，两个烂人面对生活的烂摊子，想出来的办法却都是杀掉对方。即使亲爹被杀，想到的也是逃跑，烂到家。全程都是又废物又绝望。因为情绪铺垫的好，后面打斗再离谱都觉得不意外。最喜欢的桥段是老爷子开电动车。
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