Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
为什么每个叫Gwen的人角色都太温柔到让人丧失理智o(︶︿︶)o
丧尸作为新闻背景，结尾和活死人军团连上了。有点平平无奇，太普通了。制作还可以。就是简单的按顺序尼伯龙根歌剧四章节，前三章的顺序，挨个到银行，可是没啥好讲的，没有反派。
动作戏力量感差了些，却跟片子style很搭调 俩妞儿很可爱很有趣
超好看，看来日本也能拍动作片的，和这部比起来栗子的角色导演像幼儿园出来的。
Fan of bank heist, the film was glamorous, but the story was not that good. I like the naming after Richard Wagner’s opera.
他如保险柜制造者一样，都娶了保险柜。
导演即主演，野心显而易见。可惜作为基石的前作撑不起一个系列的构想。
敌人都是来自内部，看着很强的一个团伙，自身却有很多的问题，引得团灭。。。。。
看开头一度在怀疑自己是不是看过了，直到结尾。。
电影情节支离破碎，人物描写一塌糊涂。。。一星给女主，一星给男主富有特点的德式英语。
活死人军团里最喜欢的角色 没想到还是全片的导演
全凭假金刚狼出戏，一直怕他伸出钢爪，其他的，就算了，懒得提
女主颜值高，男主智商高。希望再拍一部僵尸军团的后传
动作设计有想法，演员呈现软绵绵。两女主的选角非常讨厌，看着就像俩初中文化、小混混样子。想拍一个荒诞感的反应社会现实的电影，结果除了荒诞就是无聊的废话。
特别烂，不知道为啥那么多好评？因为看风景很爽看画面很精致？
三星半吧，解锁环节的节奏还挺不错的，多的也就没有了，反而有点想看正传了
11.6晚，其实应该选择看曼市德比的，可能还精彩一点。
一部烂片愣是还整出个前传，拍的不难看，但也中规中矩没什么亮点，就是看个热闹
army? 就5个人叫什么army?开头的解锁比赛我还以为会是训练选拔，然后有一批批的人去偷各种各样的东西，结果，就这?片名很大气，但一亮相才5个，为了和Army of the Dead联系起来就硬凑。
摄影很棒，把欧洲风光拍的很美，配乐也不错，至于剧情啥的还挺无聊的，女主这一个场景一套造型可太牛了，导演有多爱女主，不过作为活死人军团的单列人物外传也挺有意思，开锁小哥导演兼主演，就是有钱有才，就是玩
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