Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
汪汪队装备集体更新，队员又多了个贝贝，周边又可以大卖了！2022.01.15
陪娃看电影3 狗狗拯救世界！娃很喜欢看，看得入迷！
5分。槽多无口了，怎么会有这种所有人都像顺便在走情节的剧本，如此潦草
一部纯粹的外国片，虽然是给小孩看的，却满满的成年人的世界！
孩子正常很开心，在阿奇被抓的时候居然在电影院大声的哭，真是个多愁善感的孩子
陪侄子看，我看到中途睡着💤了，小侄子看到一半哭了。
臭小在家看，爸爸在邯郸和你一起看。首先，这可不是低幼版汪汪队啊，莱德靠卖汪汪队周边产品成功进军房地产行业，在冒险市中心建成自己的高科技斯塔克大厦，整个汪汪队全员武器装备大升级，堪比复仇者联盟。剧情节奏紧凑，画面相当精良，有救赎有毁灭有反转有煽情有政治影射，最后竟然还有续集引线，电影感十足。
2202年，狗狗才可以拯救人类，救援场面，有点像看狗狗版的007。孩子看得哈哈大笑和鼻涕眼泪都流出来了。
MARK一下带两岁九个月的宝宝第一次进电影院看的第一部电影。汪汪队属于低配版好莱坞英雄大片，只是信息传达更直白了一些，全程大笑加感动，很值得！不到三岁的宝宝看完全没问题，只是电影有不少3D效果，声音很大，太小的宝宝看会稍有点不适应。回家路上宝宝一直说“我想当贝贝”。哈哈哈！
全家欢，小朋友都喜欢勇敢狗狗，虽然我们家的已经十岁了。
陪小孩看的，一开头的小乌龟太可爱了，是我见过的最可爱的乌龟形象，另外配乐也很好，其他的就一般般吧，孩子可能比较喜欢
我也不知道好不好看 反正5岁的女儿看得又哭又笑
除夕十点未来，四岁第一场大电影，半个小时想走，喜欢看狗多于看人～
这次疫情让“西方发达国家”原形毕露了，而在亚洲、尤其以中国为代表控制住了疫情，导致西方人心理不平衡。亚裔在欧美所遭受的仇恨排斥前所未有。而好莱坞也开始运作，不断在好莱坞电影丑化亚裔，不管什么片子，反派总有亚裔，将亚裔塑造成危害全世界的群体，本片就是丑化亚裔的其中之一
没有必要被拍出来的一部续集，既没有拓展延伸新系列的世界观，也没有讲囫囵一个有趣的新故事，老三位回归更加是莫名其妙。城市追车，丛林沼泽几场戏挺刺激，IMAX厅里的视听很带感，仅此而已。整部电影就像是为了一个不到三分钟的游乐项目排了整整两个小时的队。
孩子正常很开心，在阿奇被抓的时候居然在电影院大声的哭，真是个多愁善感的孩子
家里小朋友第一次进电影院看的电影，三个人都很开心😃不过我要吐槽一下，普通话配音故意把所有人的名字说的像英语，可是阿奇的英文名是Chase并不是Archie（虽然也毫不重要），再就是经典台词貌似没怎么出场啊……没有困难的工作，只有勇敢的狗狗！
阿奇刚出场感觉比电视上的小了幼态了。
陪芃芃一起在万达看的，这是芃芃第一次看电影
陪娃看的，剧情简单，画面精致，道理简单，这样够了。
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