“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
整体略松散 有些情节精致浪漫 没能成为情侣的朋友可能会让很多人有共鸣 一星给老李的颜值
像个贺岁片的拼盘，和和气气的，剧情也没有大起伏
真爱至上真是个好模板，还算合格的节日童话片
虽然好像有些无趣，且喜欢的部分的戏份比重不多，那也四星
韩国版《Love Actually》。这样的电影拍摄起来很简单，把原版的框架拿过来，瓤扣掉，再把调制好的新佐料按顺序填充进去搞定。有点类似活字印刷，又很像海南菠萝饭。至于口感，既有点原来的味道，又有新的体验。弄得好就是创意美食，弄不好就是黑暗料理。不过圣诞节也不用太挑剔，好歹食材还算新鲜。毕竟和谁一起吃、吃的开不开心，才最重要。
适合新年看的电影哦！很像真爱至上的风格，搞笑而温情！光洙好爱大神呀，还cue大神！每一对都好喜欢！世界不算完美，也许每个人内心都有自己无法治愈的地方，可是，因为有人在，我们相互救赎，相互温暖，新的一年才有希冀！别忘记对自己说：新年快乐！p.s片尾曲很好听！
卡死强大，OST好听。但是故事线太多，只能看个应景和热闹。姜河那全场最佳，顺带承包全剧笑点。
看到一众熟悉面孔还蛮好玩的，不过李栋旭那条线的故事是真的很老套
错过了气氛最佳的时间，普通日子里看感受上还是差了一点儿，也过了会喜欢这样幼的电影的年纪了。为什么各国欢乐节日的主打是都是迪士尼大团圆呢，明明比童话还不真实，《不要抬头》和《忧郁症》这种的不行吗？
韩版《真爱至上》，
想拍爱的偶然与必然性，又想拍灵魂伴侣论。但想法挺好，剪辑太乱，最后哪个也没顾到，缺了点灵性。
它就值得给五星！
这电影不就是看个乐子么，这么多喜欢的演员在银幕上合作就是对观众最好的礼物了。好喜欢韩姐和康俊哦！李阵郁和李奎炯也超有好感！
我是基娅拉和达利欧的cp粉！哈哈哈哈他们两个的火花真的有意思！
贺岁片也就这样 看个热闹得了 老李这条线真的好玛丽苏哈哈哈
220101 元旦下载 三日后观影 片中韩智敏唱的卡农歌曲 反复听了N遍 意犹未尽啊
找大同 磨小异 这么简单的六个字乱七八糟拍了一大堆
无缝切换，陕西话这就是“”乱爱“。看的迷迷糊糊，想法挺好，但是因为文化差异，加上故事剪切，有点乱炖，看得晕乎。
我真的对这种圣诞新年合家欢剧情百看不腻 本来就只是为了看颜的竟还能在姜河那林允儿那part掉眼泪也是略惊喜
没有传统的完美大结局，就跟我们的生活一样，总是抱有遗憾，才会倍感珍惜吧。
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