After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
对西部的粗粝生活还原的很好，给了西部传奇人物一个归隐侠客式的结局，只是故事太过简单了
难得当下可以看到这么正统得西部片！没有话痨，没有黑人，画面充满质感。
1.主角不就是严肃版不话痨狂傲不羁的唱着歌谣的巴斯特2.亨利.麦卡蒂就是比利小子的原名3.西部片味道正，配乐好。
灾难级的垃圾剧本，肉眼可见的数不胜数的剧情漏洞竟然在烂番茄imdb上打出了十分迷惑的高分，最后为了达成“老亨利必死”这一目的的反转安排的过于弱智了，不知道这片子到底有什么光环护着😅
2022 0203 23:00gtlTv 没什么意思，只是一个过往侠客的被迫出山，故事放在西部风情背景中，好像格调高了许多，其实没新意，故事淡如水。
论一部剧情简单的西部剧为何拍的这么有嚼劲，归根结底角色人物塑造成功对于一部电影是多么重要！国内就是差这个
节奏是比较慢，名字以及设定开头便会知道最终结果是老亨利肯定要牛逼一把，至于怎样牛逼一把就是这个电影的重中之重。后半段还算精彩，没有令人失望。妆化是这个电影的另外闪光点。
儿子真的烦人啊~像个爱闹情绪的小媳妇，大敌当前了还要跟爸爸置气。最后的反转有点一般般，被救的那个角色完全是个白痴弱鸡，完全不值得老亨利为他出手嘛
孩子，你走之前把猪圈的猪都放生了吗？
剧情中规中矩，老亨利处事果断，枪法稳准，疾恶如仇。动作快，姿势帅。
原来是一代传奇“比利小子”，牛人，美国扫地僧！
这才是生活的现实与生命的真实。
潮湿的泥土，肮脏的猪圈，衬衫发黄，菜汤易冷。就是这么old school。
熊孩子穿越来的吗 格格不入啊 怎么长大的啊
欢迎回到原味西部，像真人版《荒野大镖客2》的小样。
丘岭风光，沉着冷静的农民亨利，看起来，好。
典型的史诗级西部大片。人物很少，没有女人，只有硬汉群像，马，枪，人。剧情很少，虚拟了逃匿在西部农场的老比利小子，和他的儿子，救了一个人，引来一群人，解决完这群人后被反啮。对话很少，几处比较集中的对话，那不是拖沓，是时代的印记，穿插了邦尼的反思、少年的成长、往日的辉煌，值得咂摸。枪战很少，结尾的枪战无疑很出色，突出了历史上比利小子的拔枪速度、步履轻盈、心思缜密。过瘾。
波和麦金尼在门廊，加勒特闯进屋子，开了两枪...
有点模样 差点意思 不过嘛 西部片总要加点分
一次有效的复古西部电影 但还不足以让西部电影重新站在好莱坞的回归之路
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