A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
●2022.02.03
我个人是不知道大话西游好看在哪里的，大话西游如果让我去打分也就是三分吧，然后这部也是三分。
缺点肉眼可见，意外地好看：
我觉得还行啊，最起码里面没有什么整容脸。我的齐天大圣在哪里？
吴孟达的遗作居然是《大话西游》同人网大…这部致敬《大话西游》的同人作品 60% 的复刻了经典剧情桥段与部分台词，又原创了一些东西可还是没能讲清楚为何是「缘起」。演员阵容里居然汇集了诸多面熟的老演员与知名配角演员，与同时期王晶《倚天屠龙记》2022网大算是不分伯仲了。
还行……现实中男的越来越丑女的越来越漂亮 怎么娱乐圈里也是啊
大话西游前传，网大来说还不错，紫霞仙子没有让人很反感。达叔绝对是一亮点。但是就电影来叫，搞笑点上加滑稽音效说实话有点出戏，多次硬剪出来的回闪来烘托情绪和交代剧情有点多余，还有一点，两人出走很远找青霞的那个城楼，和最后一次紫霞到这个小镇那个城楼，让人感觉前面走了那么远还是在这个小镇。
我嘞个去。。。
导演兼编剧同学应该也是仙剑的粉丝，里面有不少仙剑的影子，比如：片头的锅勺敲头；片中的御剑飞行；甚至紫霞仙子的言行举止里都有一些林月如的味道。
真的超乎想象 想不到还有人能挑战周星驰和朱茵 而且基本上没有很拉垮 很感动
第一次看“网大”这种片子，还真的不能以“电影”的标准来要求它，毕竟周星驰的至尊宝无法复制，没有第二个人能演绎出那种无厘头下的申请来，任谁来都像在挠痒痒，即使达叔也不可能带的动。但降低期望后，其实紫霞的扮相还是说得过去的，但气质上不够灵动自然，应该是达叔最后一部喜剧片了吧，老爷子走了一年了，随着老一代人的逝去，港片就只剩这种炒冷饭的情怀了。
至尊宝:“姑娘，我们好像在哪里见过“。紫霞:“我们还会再见的“。大话西游yyds
这次经典改编的确实还不错，旋律响起的那一瞬间，还是很怀念。达叔戏份很足，遗作且看且珍惜！
前作过于经典，这剧能拍成这样不错了，选角尚可，演技在线，剧情顺滑，配乐沉浸，超出预期，值得一看。除了孙悟空颈部以上造型有点丑以外，没什么太大的缺点，冲着达叔遗作再给一星
剧本和表演上问题不大，但非要往这个ip上凑肯定会是这个结果
作为网大，真的算是不错的一部了。起码不是太脱线，最后的蚂蚁潮的渣五毛特效。女主长得和毛晓慧好像，我竟然有一种是同一个人的赶脚。
"我找不到葱花了"别哭死我…
作为达叔遗作，这片子质量居然不错，布景道具打斗场景可圈可点。虽然也是炒情怀，但是在原作导演把IP毁了情况下，这部网大却把故事讲完整了，故事有新内容，也和两部正片有联系。同行衬托，这部即便整体中规中矩也不会评价太低
难得一部挂大话西游IP不是为了炒冷饭恰烂钱的，故事写得挺有诚意，虽然许多细节位还是经不起推敲，但在人物塑造和情感发展上还算成功。达叔的戏份只有不到半小时，在他的戏份完结时特意安插了一段闪回，也算导演对他的悼念了。特别得赞一下女主角，实属如今清一色网红脸女星横行下的一股清泉了，能在一部网大中看到如此清新脱俗的女主角相当惊喜（有某些角度看起来还特别像陈慧琳），希望能坚持自己。
齐天大圣只是个名字，谁都可以是齐天大圣。重要的是你的选择。
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