Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
真的是非常的重口味。机械实验是里面最好的故事。
相当值得一看的恐怖片，机械姑娘的故事很有《弗兰肯斯坦的军团》的味道。
cult短篇集。如果不是不久前看了《灵媒》可能因为伪纪录片的形式还会再加半星。
看完恐怖片系列87：致命录像带94.
VHS好玩点子还是多的。这部气氛不赖。故事么有些过度追求逻辑，导致失真。主线的梗么我不太喜欢，但是看得出来玩心挺大。
20211009周六 21:48 都是一场人体变异怪兽秀，无多大惊喜，不过要比第三部好这是肯定的。唯有那个下水道里有种未知恐惧感，结果遇到一群傻逼供养出的鼠人来信仰，这个和吸血鬼那段都有点宗教意味，暴风雨夜守灵遇尸变咬咬咬与变态科学家玩转机械人都麻麻地，最后一个是想拿摄影机过家家吗！
脑浆血浆统统不要钱。94年的VHS风格很怀旧。
画面真有录相带时刻的感觉，只是看久了对眼睛不好。不建议多看。
机器人女生那段帅炸！像第一人称玩电脑游戏一样～刺激！！就凭那段马上给个4🌟
第三个故事改造人秒杀其他好吗 印尼导演i了
又是和上部一样，突然发现出了第四部。整体质量尚可，没感觉哪个故事更好。希望继续拍下去。
区别于录像带系列的完整叙事的分段式故事。开头的神秘编号和挖眼珠营造了诡异气氛，下水道硫酸鼠人＋守灵女孩遇诈尸＋疯博士人机实验＋反动派生物见光死炸弹＋呼应开头的“看录像必死”诅咒。分段叙事前三个故事都还不错，气氛＋叙事到位，吸血鬼炸弹那个设定没看懂。整体属于完成不错的B级片
比前几部多了一份粗粝与最原始的血腥本色，但故事也相对变得更加支离破碎。
还不错，制作痕迹很重，不像之前那种纯原生感，竟然还有转场，故事的口味还可以，除了恐怖分子那个有点墨迹，剩下的都该好，最好的是人体实验那个了，
改造人那个故事比较有想法，也是最好看的一个，其他的就比较一般。
第三个故事真是生化危机本机了，真海森伯格！
不是说是cult片就能得高分，各种混炖且不知所云真的让人一头雾水，我也算一口气把1234看完了，风格还是挺统一的——统一的不知所云。确实不明白到底要表达个什么东西，还是说只是为了拍而拍，为了好耍、血腥、另类而拍，原谅我欣赏无能～
近期的“致命”系列有点多，从致命感应到致命催眠，还是录像带系列最为致命
评分过于低了吧！这片子很好啊，血腥恐怖暴力都有，除了贯穿全片和吸血鬼的稍稍逊色一些，前两三个故事都成功吓到我了。
看完“警长说电影”剧透来的，下面附上链接：https://b23.tv/3PIzWS
Copyright © 2015-2023 All Rights Reserved
