Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
就挺一般的,真实事件倒是很震撼,但这部的导演水平剧作水平都没什么亮点,满满电视剧感。。
前奏有点无趣 直到敏智爸爸反转 后面挺符合韩剧一贯水准 普通百姓压根无法和资本权贵斗争
算不上灾难片,只能说是现实题材。每一幕都拍的特别潦草,台词写得一贯犀利。在韩国,中产确实是中流砥柱,反派也得有良心。
是韩国最擅长也最容易套路的真实事件改编,李先彬脸垮的厉害啊,和当年演犯罪心理时期差距过大,还没演她姐的保养的好
各种所谓的反转满满的都是套路,没有新意,作为棒子的戏这个也就在及格线上下!
钱权交易,人命为草芥,政府的职能是养蛀虫,既然权由人赋,为何还会官逼民反?
没有音乐剧那么感人🥺但是表演会细腻一些?有生之年我能看到官摄吗🥺去现场也行
七分应该有的,真实事件改编题材好,剧本和演员差点。结局挺震撼的,揭露黑心企业的同时也讽刺了政府人员的黑心交易。直面现实的勇气是韩国电影的可贵之处。
不好看,但是为民而生。挺好的,看看国产,只能说羡慕。
为什么连zhengke都是傻逼这种话都说出来了
普通人真的很难能对付得了权贵~~要么靠点小运气~要么~得等他们的内部瓦解~
英国人制毒,韩国人受害,美国人维权。宇宙第一强国,浪得虚名。
煽情,但也直击心脏。直面错误,审视体系,这样的题材哪怕拍摄手法欠佳,至少不会白费。
现实题材改编的电影,讲述了有毒的加湿器杀菌剂伤害韩国几十万人,致死两万多。受害者联合起来,最终告倒了跨国企业。
后期的反转还可以,前期一点都没看出来,完全做到了让观众跟着电影跌宕起伏。
"Someday, all of this is gonna feel like a very long time ago."
最后的结局才是亮点 无论经历前人多少刻骨铭心的痛失亲人 忍辱负重的调查真相 即使将事实摆在眼前最终也变成政客资本家互相推诿的皮球而已 万字诉讼和实验报告换不来一句三个字的道歉
根据真实事件改编,最后官员推诿扯皮的嘴脸真是够了
实在是不行 镜头好平,人物没有什么特点。整体节奏就很拖。金相庆也救不了这片子。
太无聊了,还是那个老套路,这种剧本你把加湿器换成别的又能拍一部。
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