"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
本来以为幼儿园小朋友的破案也是闹着玩，没想到犯人我是真的没想到哈哈哈哈。或许最后小新和朋友也会分道扬镳，但他们至少一起拥有了宝贵的友情。
期待了好久的剧场版。终于看到了。只有蜡笔小新才配得上永远的神。
最后的马拉松竟然热血到让我哭了出来，这就是青春！！每个无意义都是有意义的！！
炒面面包马拉松真是把热血值拉满，青春是曾经拥有，青春是当下
8.5 才知道原来给PP打码是台版才有的，而且这次打的不是动感超人，而是蜡笔……
有些日本电影总是中二的不行 但是你还是会莫名的被感动
剧本无敌 什么都无敌
表面上很日式无厘头，用这种方式来呈现严肃内核，能很好地避免说教意味，更能引人深思
为什么我们活着不能追求自己最珍贵的东西呢？总是有太多的人都希望我们能成为精英，即便放弃最宝贵的热爱与真诚。常常觉得要宽容，要理解，是被逼无奈，是不得不妥协，是要付出的代价，才能走向成熟，可是，真诚地关心别人难道有错吗？什么「君子之交淡如水」的人生哲学到底想要人怎样啊！到底要怎样啊……
蜡笔小新的剧场版和TV真的是两部番，竟然还玩反乌托邦这套。
青春FIRE 春日部防卫队FIRE
成为精英真的好吗？人们总想着未来会怎么样，从来没想过当下的生活。
真的好棒！案件展开后就渐入佳境，凶手的设置比柯南剧场版的迷惑性要强多了，dying message的设计也令人惊喜，又合理又无语又有趣，十分具有新之助的风格。
剧场版优点很多，我就讲讲我自己最强烈的感受:结合当下学生们(社会上各行各业)越来越卷的生活，我发现他们少了我们青春时该有的青春气息；他们就像「天春学院」里的精英们，有着青春的年龄，却对应着大学生都生涩难懂的知识(一度让我感觉我大学白上了)，着眼于未来，却牺牲了现在。
“一星期份的抱抱”，广志和美伢虽然不是“最菁英”的父母，但一定是最温暖的父母！
超惊喜之作！万万没想到这部剧场版会是如此纯正的本格推理。案件并不复杂，但贯穿案件的所有人物和所有剧情，都超级让人感动欢喜！新风CP算是一辈子锁死了，五小之间的友情让人忍不住想要落泪。
看了一个小时，实在没兴趣了，吸屁股鬼？啊哈哈这个设定还蛮好笑的
风间真的太适合这种小反面角色了！
蜡笔小新剧场版yyds! 搞笑元素依然还在, 讽刺了学分按分为三六九等的学校制度，侦探元素和被吸血鬼咬屁屁的设定也很棒😂
为什么每一年的剧场版都这么好看呢 鸟型风间太可爱了！
Copyright © 2015-2023 All Rights Reserved
