Lois Ames is devoted to her job as the editor of a magazine, and her wealthy husband Fred is equally dedicated to polo and parties. Lois's long hours drive her secretary to quit, and she replaces her with Tom Sheridan, who happens to be in the office demonstrating a rowing machine. Tom likes the work and continues to advance until he is indispensable to Lois. Ruth Holman, Tom's fiancée, is jealous of Tom's relationship with Lois and with some reason, as he is falling in love with her. In the meantime, Fred is having an affair with Ann Le Maire, a woman whose interests are closer to his own. Because he feels his love for Lois is hopeless, Tom quits his job and plans his marriage to Ruth. Lois tries to patch things up with Fred, but he suggests that they divorce instead. On Tom's last night, Lois keeps him working late. Ruth is furious and storms up to the office where Lois and Tom are dining. She threatens to tell Lois's husband about their relationship, which leaves the way clear for Lois to announce her pending divorce. Ruth breaks off her engagement to Tom, and he immediately asks Lois to marry him.
日本真是各种特殊绝症，神奇疾病的偏爱之地。各种脑洞大开的人设和剧情神展开。厉害了。
Most ppl like sunsets I love the sunrise. This lights allows the imagination in.
虽然谈不上新意，但这样甜蜜、哀伤和幸福的爱情故事总有动人心弦之处。
3/5 中岛老师在女主卧室门前那段自白比后面两次痛哭更能触动我。b太演技全场碾压。
祖孙情类型的电影总是走另类长辈+治愈+矫正行为路线，Rampling的表演是唯一看点
说实话挺无聊的，韩国狗血俗套爱情电影30年前的套路换个壳拍成日本电影。这对男女谈了这么几天恋爱有什么话不能敞开说呢？哪来的这么深的羁绊啊？相比之下配角反而出彩得多…全篇最出彩的是嫂子……
88/2022
后半部有点走神 老太太是戏骨 死亡就应该是这样优雅的离去
这样有型，这样酷，死去的这样平静，哪一个这样都是我羡慕的。
“战争是毫无意义的血腥浪费”，说得真好，谁会不爱这样一个酷酷的抽烟喝酒枪法极准的奶奶呢。可能这就是亲情存在的意义，孤独的奶奶临终前找回了爱，和爱她的人一起看了日出。
毕竟人生只是一场漫长的寄宿生活，要好好活下去啊！
喜欢这样的叙述方式，平铺的叙事中，穿插着主人公寻找真相。
第一幕出现的形象，颜值能打程度就超乎想象。
作为悬疑片太松散，作为青春片太无聊，作为说教片太生硬，甚至作为粉丝向电影山田杏奈的造型也是一场灾难。
本来以为是个喜剧电影，结果是个闷骚文艺散发着杜松子酒和柠檬味的片子，有一种美妙的戛然而止和适可而止，风景很美，兰普林老来俏，背景音乐加鸡腿。
我总是在长尾还挺可爱和他好丑之间来回跳跃。山田杏奈真的搭了很多j家新生代。
那潇洒的一饮而尽
（不是否定企划本身）我可能更想看无灾无病的普通物语。
冲着Rampling看的，看完开始思考如何养老......
I want one more passionate love affair.
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