Max is a real jerk. A long time ago, the successful lawyer had turned over all the routine duties of family life to his wife Nathalie.His comfort and leisure time were a far greater priority. Sell the roadster and buy an efficient family car? No way!But then, Max’s fast-paced life suddenly screeches to a halt when Nathalie is hospitalized for several weeks with a complicated fracture.Alone with their two children and the dog he hates, Max quickly reaches the boiling point.As if having to play father was not bad enough, he is shocked to the core when he discovers passionate love letters written to his wife and signed “From G. in love”. Feeling that his life is slipping out of control, Max’s first impulse is to find out who his rival is. Then it dawns on him – could the way he has treated his wife be the reason why she has sought out another lover?Now Max attempts to see his situation from a different point of view. Last week he was ready to plan the yearly guys’ vacation he takes with his best buddy, but now things have changed.Max recognizes just how much he needs Nathalie’s humor, her organizing talent and her optimism, but also just how important to him she and his family really are. Max tries to discover the mysterious lover’s identity, but because of his new insight, he takes an additional step.Unfortunately, when he learns that the mystery man is Gregor, Max realizes that not only does the man have all those qualities - he is very attractive as well. His struggle to become a better husband and father suddenly becomes far more difficult.Hoping to knock Gregor out of the picture and get back in Nathalie’s good graces, Max makes an appointment with a successful life coach. But turning his life around is far more difficult than he had imagined.To make matters worse, Gregor turns out to be a loving, family-oriented man just what Nathalie needs. Max is desperate – he knows there is a real chance that he might lose Nathalie and the children.Willing to put everything on the line to keep his family intact, Max makes the biggest sacrifice of his life. Then something happens that is the very last thing he could have ever counted on…
机器人那个有点点差了，整体真的很棒！一直哭，哭了半场。过大年的一直哭。
就没有一个短片敢于直面而不遮掩的
就说两点，第一，这种类型的“性侵案”审理最好不要拖太久；第二，影片比较巧妙的一点是没有设置上帝视角让观众看到那个储藏室里发生了什么，也没有过度偏袒被告和原告。而是试图从两方去还原解读案件过程！
节奏容易看不下去 内容的微妙大概每个女孩都或许曾感同身受
谁能想到故事会朝着大陆法系的经典庭审实录的方向一路到底呢，按我起初的会意，有巴尔扎克的文学积淀，表现上流社会的一地鸡毛，法国电影一向是很圆熟老道的，正因如此，有些套路一开始就特别明显，比如亚历山大的父亲吉恩玩弄天真实习生奎特丽的手法……可直到亚历山大和其母克莱尔、继父及克莱尔的继女米拉四人相聚的那个特温馨特温馨的场景，我突然预感八成要出事。那种彼此欣赏的初遇，那种意外的过于完美的关系，让当晚此后发生的一切变成了一把残忍的刀子。严格来说，这个电影的核心思想是在同一个法律框架下探讨不同文化对性的感知，阶层与移民双重复杂的法国社会，不可避免要发生撕裂，最终的结局只能是妥协的，一个似乎能让所有人都得到心理平衡的结果，但实际上正义与真相一样，是永远都得不到的东西。
不该叫“我和我的父辈” 应该改名父与子。章子怡这篇无论从格局上还是故事架构上都是最好的。
章子怡的最细腻，反而第一个最尬，表演的痕迹太重了，端的太明显；每一项成就的新闻背后，有无数个默默风险的个人和家庭。
我是不是已经过了看奥特曼的年纪，全程下来无感…
2星，就那么回事吧，淦，竟然150多分钟
《诗》里面那个哥哥跟个神经病一样，在一般中国家庭的大哥哪有这种莫名其妙的除了闹就是闹的，穷人的孩子早当家，这种环境下成长的孩子自觉的会承担家里的部分责任，哪有家里下雨进水还闹别扭的。为了浪漫而故意制造的矛盾很违和，编剧和导演完全不接地气。
最近的剧场版都堆场面堆角色啊。 一代版本一代神。 泽塔这身越看越像兄贵。
反派的理由越来越魔幻了。主角不叫司麦路就好了
我倒觉得男方律师的发言极其中立中肯 反而女方就显得把个体案件上升到性别对立 总要扯上女性主义
在大陆影坛，有话语权就可以肆意妄为的招揽演员和编剧甚至把电影技术搞成拼盘。不是我要表达的需要什么，而是电影有什么抖tm给爷拿过来！上面有人，兜里有钱，敞开儿用！
女权主义下的今天，不尊重女性误解女性可能就会引起争议甚至犯罪，我觉得最后判刑结果没有问题，确实是典型的拔吊无情，哪怕你完事后坐个几分钟也好啊。
如果没有泽塔估计连看都不会看，但也正因为有泽塔，所以预期度会比较高，只能说是中规中矩，甚至不如隔壁棚，整个剧情推的有种流水线的感觉，而且有种全员复读机的即视感，遥辉的感觉很好，其实有点搞笑，算是少有的亮点吧，而且赛雷布落愣是能解剖跑了也是可以的，1.5星
为什么总是需要no才会觉得对方在拒绝，她们没有说no，但是他们破碎的身体都在呐喊，都在说着拒绝。太喜欢最后结辩了，代理人跟辩护人都很出色，以及最大的人渣是垃圾男主爹。
章子怡和徐峥真的可以 有深度 有个性 可惜另一半真的不行了……
现代版《最后的决斗》，两个人观念不同，也都错误的意会了对方的意思，感觉男人比女人更需要冷静！
没有想象的好，尤其沈腾的那段，不好看，也不好笑
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