Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
剧情逻辑，镜头处理和群演调度，以及怪形塑造，仍有非常大的上升空间。
这个悬疑的电影是真的悬疑了😀，我上次看到这么难看的电影还是在上次
Might be good for elementary schoolers, definitely not for adults or me. The actors did great job and sometimes could be absorbing and scary for young kids. It’s just not for me.
比第一部好的简直不是一点点，第一部的结尾太太个人英雄主义了，这一部的结尾温馨的了不少，从整体来说，第二部比第一部进步了很多！
本来想给四星 可是女主太白莲花加绿茶了 居然背后捅刀我的漂亮女二～这讨厌的性格我直接给三星😂😂导演拍的很不错
很有创意的儿童恐怖童话故事。欺负小孩你算什么好汉，哦，女巫都是欺负小孩的。
小细节笑点不少，剧情简单粗暴，打发时间可以了
自从上了年纪就好喜欢王真儿。三星普通电影，多给一星是弥补评一星的那个大病。
定位很成问题。如果确实是给孩子看的，那这种精神污染程度即使对于胆子最大的小朋友都刺激过头了；如果也兼顾了年龄更大的受众，那无论是惊悚桥段还是脱困段落，也只够得上儿戏的水平。更重要的是，明明主角之一被设定成爱写恐怖小说的nerd，到最后也没讲出一个像点样子的故事嘛，只是可惜了贫穷但用心的美术了。
大女主，伏笔，反转，总体镜头表现自然，对味，就是剧情有点bug多
尴尬的法国喜剧，导演镜头混乱，看的人恶心。
很惊艳，无论是以小孩视角还是大人视角去观看，都很好。让我感觉有点宫崎骏的哈尔的移动城堡体验。去掉，恐怖，惊悚。只留下奇幻，魔幻，魔法世界的屋子。不明白，这明明是儿童片，一群大人看了，还叭叭不停，说完还打低分，脸都丢完了。只能由孩子去评价好不好看，大人不配
气氛营造的很好，虽然糖果怪兽根本吓不住我滴。同类影片安妮海瑟薇的《女巫》也不戳。看结尾的亚子，期待续集。好像养一只隐形的🐈，注意别喝咖啡就行啦。
作为一部儿童恐怖片，它在“儿童”和“恐怖”两种类型之间平衡得很好，既有属于童话的纯真、奇幻和成长意义，也不乏惊悚效果极佳的恐怖桥段和元素，对主角的塑造也充满恐怖影迷情结，甚至还能将“糖果屋”这一旧童话故事进行续写并成为情节发展的重大转折。当然对大多数成年观众来说，这种低龄化的简单故事未必还能引起太多兴趣，但能够在有限的尺度范围内做到这种程度已经算相当不错了。
越来越get不到那种琐碎+漫长的嘴炮式幽默
Blessed is she who falls, Blessed is she who rises again.人生低谷是福分，重新崛起也是福分。
故事一般吧，只是能看到克里斯滕我还是很开心的~这妹子资源太差没几部片子可演了（掩面泪奔）
一星半，金玉其外，但本质上其实是充斥着青少年狗血抓马和内卷现状的职场青春肥皂剧，这种剧本质量是无论怎么包装都很难产生价值的，所以只能停留在对各种元素和其它电影生搬硬套的阶段，从内到外都与芭蕾无关。
这是法国人的幽默感吗？如此无趣却又如此长。
弟弟整天赶稿烧书删文，所有写文的写手都应该来看看这个片。想看安妮海瑟薇x克里斯滕里特的双巫婆片。
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