INDIA is an exotic mixing pot of iconic wildlife, secret locations, epic landscapes and colourful beauty. This iconic and landmark series is a celebration of India’s most spectacular locations and incredible wildlife. From the "home of snow" in the epic Himalayan Mountains we travel to the mighty River Ganges, lifeblood of India as it carves out its dramatic path across the subcontinent. We also reveal Thar, the “Great Indian Desert”. Its territory includes much of Rajasthan (“the desert state”), where the bleakness of its environment is juxtaposed with the striking colours of traditional Rajasthani dress and amazing wildlife spectacles Also featured is India's lost world of the north east, home to head hunting tribes, tiger infested forests, mountains not yet climbed, rivers waiting to be fished. And finally to the Western Ghats. This biodiversity hotspot is home to epic waterfalls, hill tribes, hidden caves and stunning wildlife.. Part 1: Thar Desert Sacred Sands Covering 200,000 square kilometres, India’s Thar Desert is one of the harshest places on the planet. Baking heat, desiccating winds and near permanent drought has earned this unforgiving land another name – “the region of death.” As we explore India’s great desert we unveil its hidden secrets, and ultimately shed light as to how the Thar has become the most crowded desert in the world. Part 2: Ganges River of Life The Ganges is the longest river in India. It flows from the glaciers of the world’s highest mountains, the Himalayas, to the largest bay in the world, the Bay of Bengal. Human pollution threatens to overwhelm the river, but somehow wild animals survive. Hindus believe that Ganges water has the power to purify, and it seems there is some scientific evidence to support this conviction: microscopic organisms actually eat bacteria that could cause disease, and uniquely high level levels of oxygen break down organic waste faster than any in other river. This self-cleaning property of Ganges water helps support some of the last remaining true wilderness in the world – the Sundarbans swamp. Here, India’s largest population of wild tigers have never learned to fear man, making them very dangerous neighbours. Part 3: Himalayas Surviving the Summits Outside Asia, no peak reaches above 7000 metres, but along the Himalayan range, over 100 mountains exceed this height by at least 200 metres, making it the tallest mountain range on the planet.As Earth meets the sky along this hostile terrain, powerful winds, sub-zero temperatures, and a lack of oxygen oppose virtually all forms of life, but remarkably, this immense geological feature somehow supports one of the largest and most diverse collections of creatures on the planet – including man. While the Himalayas rugged highlands offer little direct refuge to humans, in the shadow below, over a billion people in India rely on the mountains for survival. Part 4: Western Ghats Monsoon Mountains Stretching for a thousand miles along India’s west coast, the Western Ghats are a spine of mountains that lay claim to being one of the most bio-diverse places in the world. Mountains rear their heads into the path of monsoon clouds, intercepting rains and making the western slopes some of the wettest places in India. Tropical rainforests thrives, and explode with life. The Western Ghats hold the key to life across southern India. Rainwater harvested by the mountains washes down to the coast, feeding Kerala’s backwaters; huge rivers flow east across India’s dry interior, a lifeline to animals and people. Part 5: Indias Lost World Imagine a lost world – head hunting tribes, tiger-infested forests, unclimbed mountains, pristine rivers. Known as the Seven Sisters of India, there are seven relatively unexplored and isolated Indian states. What mysteries lie within this secretive land and why have they remained untouched for so long? North-east India is an anthropological paradise; there is no other place on Earth with so many different ethnic groups. The forest slopes are filled with mysterious tribes whose lives are dictated by the ebb and flow of the rain and the seasonal fruits of the forest. In these largely unexplored and isolated areas people scarcely known to the Western world continue a way of life steeped in ancient rituals.
充满了种族对立，女主的脑回路也让人大受震撼。把他当纯歌舞片呢，也不够好听好看。这种思想陈旧纯属虚构的故事，如果没法与时俱进提出新的思考，就别拍了。坐在隔壁的姐姐全程跟唱，我也能理解导演对这个故事有深厚的情结，但好歹编一点阳间的剧情。 女二在女主的衬托下格外美，她的裙子她的舞蹈都充满了阳光。
笑场无数次 其中一次因为男主演技太差笑到浑身出汗
烂片。摄影还是好的。女配出彩。叙事是叙了个什么。看了一个小时就在想什么时候结束啊我想回家了。
新版和老版的区别就是画面清晰度更高，舞台表演痕迹弱了，技术更好而已。斯皮尔伯格完全是为了完成自己童年的梦想，再加上现在也确实拍不出什么新东西了。碰巧奥斯卡评委跟他有一样的童年情结，所以拿了个提名。美国人最爱的歌舞片对于咱们来说只能排在《音乐之声》《雨中曲》甚至《爱乐之城》之后了！
美术灯光的配合下营造出来的那种老电影感的纽约街头虽然美，但是架不住男女主角演技都太渣了，Ansel Elgort实在是太奶油。最后，这个60年代的故事即使给了trans角色更多nuance也架不住故事太过老套了。
虽然舞蹈挺棒的，镜头炫光挺梦幻的，但斯皮尔伯格也救不了西区故事，看完连原作都不想看了。瑞秋·泽格勒堪称好莱坞刘浩存，上来就是斯皮尔伯格的女一，接下来居然还要以棕黑色的皮肤演白雪公主盖里加朵演她妈邪恶皇后，资源强到逆天。
#金帧9th#HOME4th 20220301
调度不输原版，老爷子发挥稳定。没有更多新时代的表达，也符合对他的期待吧。可能他只是单纯想拍一部歌舞片了。【6】
就算调度再牛逼，配角的歌舞再好听好看，复古服饰道复刻的再真实，也不能抵挡我对狗血剧情的唾弃以及对男女主表演水平的质疑。
非常忠实原著但也是非常无聊的翻拍；除了故事和表演，其他方面都是顶级的；史匹堡拍再无聊的东西在电影意义上都是好看的，且只适合大银幕看；许多人认为的表演的"问题"，在他自己监制的歌舞电视剧Smash里面也同样存在，感觉是有意为之而不是失误；故事还是太过时了，文本太简单，没有太大的价值，虽然他自己说，某种程度映照了现在撕裂的美国，但是实在是太表面意义上的对照了；史匹堡和国师真的越来越像，不论是创作状态还是创作动机；音乐真的好，经久不衰，比这个故事好太多倍，是这出舞台剧最大的宝藏；这部翻拍作品的总体价值还不如拉拉链。
太陈旧了，无论是曲风还是表现手法，还是故事脚本，老生常谈的莎翁式太过时了。女角唱功也一般，嫂子的演员非常有表现力，只记得她的段落。一些唱段acting like American也非常政治不正确😂
鏡頭、調度、美術、燈光、節奏都超水準，目不睱給。第一個鏡頭已經展示實力，絕對沒有毀經典，有些位置甚至比舊版好（最明顯的超越在Officer Krupke一曲)，且比舊版更重羅密歐與茱麗葉的意味。若要挑剔，唯有說大多數角色臉譜化（Talia Ryder只有兩場戲的確讓人有點失望）。電影主題談移民和歧視，而且大大加重Trans角色戲份，在現代電影史中有標杆作用。若來年在奧斯卡最佳導演、最佳美術，甚至最佳電影有收獲我不會意外。
崩溃了，大部分冲突段落都听不懂，故事一般般，属于比较过时的讨论范畴了，而且重点也不在爱情上，呼吁平等，反对暴力，调度是好的，但舞蹈音乐都比较一般或者过时吧，个人观感比身在高地还差点
史匹堡试图加大背景格局，又想（或者不得不）弱化原版的一些种族冲突效果。于是导致粉碎性魔改，原版的超经典开场被改为拆迁背景＋夺宝奇兵式动作戏，全片基调从原本的高对比冲突美学改为写实暗调＋内在明媚，舞台感全失。改编要谨慎，端水不可取。
"Everything changed in America, except nothing changed in America."
Spielberg经典重现 “你们不要再打啦”
精致但无法被打动。舞蹈编排精彩。另外感觉安塞尔演技再好点，外形上比奥斯汀适合演猫王。
虽然是用心在既要致敬老片，也有斯皮尔伯格一些独特的镜头感，但这片子确实非常一般般的东西，看点并不太够
到底有什么调度？两人舞会初遇拍得如此单薄。暴力的群舞调度只是摄影机和演员之间在掰手腕。
完全照搬了西区故事？之前看过一版音乐剧巡演，就觉得挺一般，照搬的电影虽然比舞台的空间更丰富，但薄弱的故事岂不是更撑不起来？
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