The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
《鸭先知》最好，《诗》挺平稳，其他两部不及格。
《少年行》，2星半，故事老套尴尬，比吴京好在没那么重的直男味儿。
我的孩子
基本都是小品。相对来说徐峥的部分算是工整，章的部分炫技感太强，我直接忽略。沈腾的部分感觉是急就章，完成任务色彩浓烈，比上一部的神笔马良差得远。吴京还是emmm….英雄不能为了当而当啊，那离开五公里就一路举起的战刀我看得真累。
徐峥的部分挺好，很有wes andersen的感觉，色调和构图看得舒服，人物表演也十分自然 ~
渺小的尘埃
很差。
死亡是验证生命的东西
想创造/
徐峥的故事有趣，章子怡的故事感人，沈腾前半段搞笑，可惜后半段生硬仓促。
《诗》惊艳到我了，片尾曲不听的话绝对是损失
宇宙/是让死亡渺小的东西/
四个自导自演的短片
火箭是/为了自由/抛弃自己的东西/
《少年行》这段乍看起来是沈腾式的喜剧片，细想起来文本上对标的是《菊次郎的夏天》。其他单元的父辈都是大人，沈腾单元的父辈是小孩。沈腾的大人是未来的子辈。从点题来看更具有创意和想法。
除了徐峥那个，基本没有记忆点，实话说就是完成作业的水平，太失望了，不过可惜的是这个系列可算结束了
6.5-7/10；演而优则导系列，和《我和我的祖国》差不多感受，但故事体验感更好。
死亡是验证生命的东西
“鲜衣怒马少年时”
吴京的乘风中规中矩。吴京风很浓，看过战狼的都知道。
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