The second series, Ben Harper, husband and father to three different and often difficult children has spent his working life as a dentist. Just as well as most of his life seems rather like pulling teeth. His wife Susan is usually busy showing foreign tourists around London, a place she knows much better than her own kitchen. Ben and Susan have been married happily enough to have three children. However, Ben has the feeling that most of the time his children seem to speak a different language. Nick (20) has persuaded his parents he would benefit from a gap year to see something of the world. To date, he has hardly seen anything beyond the confines of the sofa. Janey (17) is into boys, fashion labels (expensive ones) and getting her own way. Michael (14) is the brightest of the trio. He is seriously into computers, and, not so seriously (yet) into girls.
异国大逃亡，冷硬写实风。前面有点闷，之后则渐入佳境。一场意外卷入的政治风波，一次不断反转的凶险假期。越到后面越觉得男主应该转型拍动作片，身体素质真的太好了。
阿三们是不是说话的时候不摇头是说不出话的吗。。。。
钴蓝色贯穿了整个影片。
千万不要跟情人规划未来～～他们的未来里没有你～～
美感都出现的极其短暂，节奏总觉得有点怪，可能印度片子接触的少？情绪也都冗长且没啥可看性
水瓶掉落的时候，上面有一个大坑完全可以安全休息和喝水。这种逻辑硬伤扣分严重
男主角就是xx一硬，法律忘净，xx一耷拉，知道犯法啦。
没颜值，没有支撑我看下去的点，这家算是富人阶层了，可以玩的细腻又高级。
印度版用你名儿喊俺，很多画面试图去营造很唯美的画面，但是我总觉得怪怪的。
剧情稀碎，毫无观感，大范围高噪点模式点缀着地中海阳光，看得晃眼 @Netflix
剧情被慢动作拉胯，两个男主每次走出来都是刻意编排，故意做作的表情和动作过火了。
刚开始看觉得”？”，看了一半”？”，看到揭秘”？”，然后就突然结束了”？”。
不过里面有一些画或者艺术品或者照片倒是很赞，像是放在柱子上用身体做章蓝色印记就很美~
還不錯看。但跟cmybyn有段距離。但對印度片來說是很大的進步。
纳了闷，都已经有欧文·威尔逊 主演的《无处可逃》在前打个样，为啥这部拍得能这么枯燥冗长呢。开头华盛顿和坎妹的戏份完全水掉，既不能有效突出人物性格也推进不了实际的剧情内容，废笔。大量的真实景观拍摄，却在动作设计上显得格外平庸，野外追逐和求生连《荒野猎人》一半的水平都不到，到了后半段的政治惊悚又停留在表面的反转，华盛顿从停车场飞跳简直出戏，让片子唯一的“真实记录质感”也全无。本来这种政治灾难片大有可为非常值得拍，可惜这部拍得如此寡淡，导演属实要背锅了。
螺螄殼裏做道場有模有樣，free solo淪爲配角了。
特别古典的希区柯克式的悬疑电影，包括前半部的运镜都挺有希式电影的风格。背景的各方政治角力，每一方都不过是利益集团的代表，寓意了当前的西方世界，。只有男主抱着那点仅存的正义感与赎罪心，踉踉跄跄地独自走在暴徒和警察对峙的骚乱中，很有意思。
故事还是挺紧张的，但剧情多处bug。没有缘由的恶，女主没有反杀桥段。
女主攀岩躲避追求，利用4个男的互相猜疑反杀取胜。情节还算合理，反派乔许有点丧心病狂加蠢笨。
性少数群体和女性在印度面临的困境，本来是可以好好挖掘的题材，偏偏要东施效颦去学Call me by your name，然后就搞得很做作很小家子气。不过喀拉拉邦风景真是太美了，疫情之后想去旅行。
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