Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
整体风格流畅活泼，妙语如珠，还有些桥段很逗，像蛇酒杯、狼外婆、鲨鱼美女什么的。
不劳辛苦竟然还在昨天删了我半年前的评论 ，男人的心胸果然比针眼还小❤️
2、丹哥不要太威武，霆锋不要太帅。
流畅但很套路，这还没什么，但作为一部动画电影，想象力和有趣程度不高，是大问题，眼前一亮和有记忆点的桥段很少。人物设计、设定方面也是一般般，不过狐狸州长一角倒是很不错，出场不多，光彩四射。
本片与疯狂动物城的差距，也就是梦工厂与迪士尼的差距。故事相对中规中矩，角色设计稍微低幼了点，缺乏特色。
类型化程度很高的港片，如果再抓一个新鲜元素能更爆。谢霆锋太适合演疯批了，有被帅到。缅怀陈导。
鬼使神差连续看了两部有awkwafina参演的heist电影，桥段太老真的有点审美疲劳了😂
还有，梦工厂另一个牛逼的地方在于，每次都能把虚拟的，甚至都不是人的人物塑造得那么有人格和性别魅力，男狼和女狐的暧昧戏码，让屏幕前的我几度想鸡叫~跨物种吸引根本不是事儿有没有？
“如果香港有扫黑除恶专项行动，就不会最后落得个要用冷兵器对决”
不错，搞笑可爱，价值观可接受。网上下载看的。原本五一要去电影院看，结果疫情导致影院关闭到现在。
虽然都能猜到套路，但是正能量目的达到就行～而且笑点也还不错。
最近影院实在没什么可看的，所以这部还算可以，哪怕是中配版也不甚违和。反英雄的套路到今天已经很成熟了，好在本片也没什么短板。
依旧是甄子丹式的疯、狠、猛，以前看这种纯港式的片子真的很腻，现在真的是看一部少一步了。反派塑造的够狠，杀人不手软。就是剧情少了些张力。
3.5 要是2D就更好了，动画片就应该2D，3D黑乎乎的太影响观感了。狐狸市长太帅了！奥卡菲娜的声音辨识度也太高了
4.为了凸显甄子丹，又是那套独身闯入黑社会窝点大都，大街上飙车跳车打斗，超越了人体极限还不死，摔断了几根骨头贴几个创口贴就没事了……吐槽无力
当你做个好人，你就会被爱。”
梦工厂的动物版Despicable Me（小 心 furry 控）。犬科动物赛高~crimson paw是什么天作尤物🥰 072422
套用Life&Beth里台词“我只看动画片，girl，现实生活对我来说太难了” 奥卡菲娜太有辨识度了，完全没听出狼宝是Sam爹～
霆锋太他妈帅了！！！！！！！！！吊打小鲜肉！
挺搞笑的，梦工厂拿手好戏，动画技术也有创新
Copyright © 2015-2023 All Rights Reserved
