The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
1）始于颜值，终于soulmate 2）和罗拉共情了 3）做个好人
合理怀疑是因为自导自演所以才把Andrew打造得人见人爱，但是谁又能抵抗Domino这样的妈咪呢🥹🥹 但是苹果出品的电影里男主用的竟然不是iPhone，属实震惊了，特意在给手机锁屏特写镜头那暂停好几秒才确定真的不是iPhone. Domino洗完澡缩在椅子那里，派对结束后回到家在岛台上撑着手肘吃冰棒那里，超想一秒魂穿Andrew，谁懂🥵🥵
达妹可真美啊！挺喜欢这种自编自导自演的，风格是一体的，看着舒服。
值得一看，男主很会说话，成人世界太缺乏真诚。
有点青春成长疼痛文学的感觉，感觉这种经历让我不太能relate。再加上女主之前的一些角色给我的印象太深刻了导致我总觉得有点出戏……
新人导演讲好了一个故事，特写镜头的多次重复将男女主欲说还休的心理状态表现在明亮的爱意的眼神里，但是女主作为一个高中也许就辍学生孩子，还被抛弃的单亲母亲，她的人生被彻底扭转了，一位母亲不能只以自己的快乐作为前提，于是她选择了社会所赋予的身份和安排。男主在爱与背叛里徘徊，最后还是走出自己的路，因为男主有一个很好的母亲。
恰恰丝滑，跟《热带雨》有一丝丝像。青春的阵痛，让你追求更美好的自己。
#SXSW# 一个weety white American boy的故事 难以共情
故事很丝滑，岁数大了，爱情就不纯粹了，年龄错位，难以义无反顾。每个人都很温暖，他们真的好爱party.
有一些地方我跟着笑了 有一些地方我觉得很感动 但女主与男主的相处模式让我觉得很不舒服 男主的近景总是给眼里打了光 好浪漫 看起来他的确很善良
如果不告诉我这是自导自演的话观感会好一点，我看到的只有一个虚伪的自恋的白男。女主真的好像安妮海瑟薇啊！
Cooper好可爱鸭鸭鸭，达妹也好可爱鸭鸭鸭…
看完觉得有这么温柔的男主人设吗？原来是自导自演 哈哈 不过男主很可爱啊
没能跳出美式青春成长片的框框，算是一个enfp的成长史？
一部对话流电影，自导自演的宝藏导演，直白的讲了一个要爱自己的故事。将时间、金钱、精力、感情都花在自己身上，年轻迷茫的时候，适当的have some fun也无伤大雅，谁能一下子就认清自己呢。如果像这样约好了再也不见面，那曾经一定是相当在乎的人吧。
【Sundance22】这种“温情治愈”片很合圣丹斯的口味，在这里首映再合适不过了。但是白男作为美国最easy的模式，拍这样一部找不到工作、“女友”去西班牙之后甩了他这种自怨自艾的半自传片总会让人觉得有点矫情过度，而且我对这种穷小子爱上成熟少妇的剧情真的不太感兴趣。PS，片子里是不是音乐用太多了，连讲个话背景里都要放一首歌，不得不让我质疑一下导演的品味。PSS，这片是真的很白很白，这个就更让整部片子显得矫情了。
Andrew is really a sweetheart，爱情就像黑巧克力，丝滑苦涩又透出些甜蜜
中间有一些部分非常的“不丝滑”，感觉导演似乎还没决定要表达自己还是拍电影，因为暂时似乎还做不到同时完成。但依然是有一定完成度的一个作品，也只是完成了。
今年最爱的电影出现了，《恰恰丝滑》就是我最吃的那类美国文艺片，有点庸俗但正因如此不会没有生活气息。才25岁的导演把刚刚毕业的年轻人的生活状态展现得很真实：他想去很远的地方但受困于经济条件；被迫和继父相处但看不惯彼此；性格善良可有时控制不住情绪；自认为自己就是暗恋对象的灵魂伴侣……但这是个多长的成长故事啊！从拒绝被叫“kid”到主动说自己就是“kid”，从一心一意想去巴塞罗那到决定从家搬出去，这就是一个年轻人慢慢认识世界和自己的过程。
剧情很无聊。达科塔约翰逊永远在扮演这类角色—有某种病症的、散发神秘魅力的有钱人的女友/未婚妻等。男主看着不太直。
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