Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
这个伪纪录片看着有点无聊。看完觉得这个世界真的是越来越烂了。
能出2021去死并且选题仍旧和去年息息相关就说明，我们真的没有从2020学到任何东西…
每年来一集吧，目前看来以后几年的素材只会越来越多……
别人跨过了2021，我们倒回了2020，甚至是40年前，甚至是111年前。
2021年度梗（即使是以美国梗为主）大乱炖盘点，笑死如果放在2021最后一天看就更好了
The first unnecessary man to be in space; submission accomplished;Diane Morgan竟然是最正常的哈哈哈哈哈哈哈
为什么会有人觉得一年拍一部这个是一个好主意
徐贤长着一张老实女人勤勤恳恳的脸，这脸就像是不以物喜不以己悲，一生都在给资本打工的脸，这样一张性冷淡的脸配上看不出情绪的眼神，实在让人无法入戏
又是打着字母幌子的小清新片，涉嫌欺诈，相当于举着重庆火锅的招牌贩卖清汤挂面，骗骗小孩子还是可以的。
看到难以置信的荒谬事情发生，总有种世界马上就要完蛋了的错觉。大家都会死，所以可以无顾忌地摆烂。然而眼下的困境才真实无比，世界尽管混乱不堪，普通人的生活依旧毫无波澜。话说回来，这种讽刺喜剧本身也是泛娱乐化潮流中的一员，不清楚真相的、“单纯”的群众，同样有可能被误导，被煽动，被当枪使。不管怎样，2022年的人们同样没有从2021中得到教训，时光飞逝，改变却来得太慢。
这一部的表演感比2020年更加重了一些，在我中国来讲，2021好像并没有什么铭记于心的大事可以从这一部电影里引起共鸣……而从美国来讲，或许是比2021的社会更加撕裂了
“我们为啥要从外国引进那么多病毒？我们应该生产美国自己的病毒。make American germs again”。
你从2021学到啥？人们从2020啥也没学到
为什么会有人觉得一年拍一部这个是一个好主意
感覺太趕做出來了，時長也不到一個小時，很多點可以吐槽滴更深刻更諷刺
我觉得编剧风格和我写段子风格很像啊，我什么时候可以去给他们当编剧去？希望这片子每年都拍一部!
熟悉的面孔 熟悉的味道 但是更无聊🥱恍惚以为其中一个新闻主播室联动了不要抬头😷
We end the year as we began it.
用几位演员客串一年中发生的大事。这方法叫做跨界或者融合。看这个片子感觉美国也有不少傻逼，甚至不比我们少。
推荐一下这部笑点密集吐槽精准的电影，看起来有种看热闹不嫌事大的感觉。
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