Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
电影的前半部分直到女主角在车内发现小女孩，悬疑感一直在线，之后似乎编剧突发腹泻，剧情急转直下。
算是小成本里，剧本把控比较出彩的类型了，反转和惊悚元素都利用的不错，女主也不是那种圣母，出手果敢，终于算是塑造了一位不错的亚籍女主。hulu也有追赶网飞的意思了嘛。
片子及格甚至值得四星，唯独用毒品减轻疼痛纯扯淡。口服毒品不是麻醉剂，吃了瞬间不疼，还能保持理智……就很扯淡……口服麻醉品一般都有生效时间，而且作用很难精确，所谓止痛，代价往往是失去理智，止痛往往也将疼痛扭曲为其他感觉。这里不如突出痛感，突出人性，而不是抖机灵，让一个坚持戒毒的人放弃戒毒，从而自救。不吸毒就死，吸毒为了更好生活，这样的选择题不道德也不机灵。吸毒的人才会，人不人，鬼不鬼。
这种剧情每次都除主角外全军覆没，能不能反套路一下，给我个惊喜？
女主战神附体，漏洞明显，观感不错。推荐一看。
这种没有营养的片子很适合上公共课看 😃吵闹，也不需要静心
女主角武力值没有很高，单纯的悬疑动作现在似乎很难拍得让人特别喜欢，不看也不会有损失，3.5
童年阴影、深夜暴雪、封闭小屋…本以为是「套路」的组合，却在后半段惊喜反转。
普普通通 好基！好会烹饪榴莲 但这么一做不会暴露自己住址吗！
爲了推進劇情只能讓人做些愚蠢的選擇。在一群人裏猜凶手，首先排除黑人準沒錯。
黑夜，大雪，山林，小屋。这些元素混在一部片子里，对味！
还阔以，电影本身的节奏没有解说视频的好2333，但也是合格的爆米花电影了
7.0/10 小成本电影还是有点惊喜的 总体让人看的下去 就是有些部分太刻意
可惜了哈里森
警察的出现太降智了，朝天上开一枪震慑一下都比直接凭直觉开枪好啊。
我们小时候，经常玩电影里面的打牌游戏，我们这里叫吹牛。
Kevin像在演电影版脱口秀，郭达不接这部戏是非常正确的，山P帅不过三秒。
还可以吧，就是不管是平民还是匪亦或是警，都够蠢的
凯文哈特的电影和他近年来的comedy一样烂
Bullshit？Bullshit! 困在暴雪里的反击，不留活口，补枪。绑架女孩，送到更好的家庭？？钉在墙上，又生生挣脱出来。
Copyright © 2015-2023 All Rights Reserved
