Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
还是适合小朋友看，能学点体育篮球知识。受挫—努力-继续受挫-获胜大概如此，比较模式化的剧本
软磨硬泡田姐后，终于心愿达成。我也要和tyy认识5000集！
很燃很热血，就是被时长压缩得节奏有些过快。
有古早励志偶像剧那味，不过看在5000多集的份上，还有这原版配音，简直不能太爱。
夸张手法是不错，但放在体育题材基本就是全员开挂，不可燃
我们已经相识五千多集了
我们虽然是子供向，但是一点也不糊弄人！真的拍得很好！
好喜欢呜呜呜
原画、动画、剧情、配音、动作、分镜、泪点、燃点、笑点等都很好。
人生能有几个12年呢，我只能说这一部电影极大程度上也算是圆梦童年了，再一次看到喜羊羊灰太狼等熟悉的人物形象陪伴着我们的童年背投印在大电影上，心里面也是诸多感慨！
作为一个动画电影 我觉得还是很不错的！！ 谁的童年能没有喜羊羊与灰太狼呢
不要美化战争，世界本不必有英雄。库库鲁斯·多安的岛，是一座在地图上毫不起眼的小岛，它资源匮乏，物资短缺，但在充满了硝烟的世界里，却宛如一个世外桃源。在一个时不时便能听闻远方战争的时代，大人应当带孩子去影院观看这部作品，它的反战思想，深刻而又足够容易理解 —— 为什么要到无人岛生活，为什么岛上有那么多小孩子，为什么孩子们都如此仇视高达。我曾经对MS以一种人形的姿态出场感到不解，现在却渐渐领会 —— 这是一部反映人与战争关系的作品，只有导弹对轰和与之产生的几个伤亡数字的话，就难以让人感受到人在战争面前的抉择和战争对人性的鞭挞，所以高达，不可以不像人。ps：最后阿姆罗举起破碎扎古的那几帧画面，宛如世界名画。ps2: 其实相比其他几部作品有点逊色，不过毕竟是把有限的篇幅拉长到了电影的长度，能体谅吧。
没想到是看过最好看的喜羊羊电影，每个角色都很立体，都有自己精彩的一面。暖羊羊、沸羊羊、美羊羊、懒羊羊也不再是喜羊羊的陪衬。把大家凝聚在一起、守护这只队伍、在队伍困难时刻带大家度过难关的暖羊羊，投出帅气三分球的懒羊羊，帅帅的沸羊羊，坚强有球员风度的美羊羊。还有虎翼也比12年前的虎威太岁更可爱更生动。除了羊的身材比例变得有点怪怪，晚上看猪猪侠发现这是现在动画片的趋势了…虽然套路但不乏精彩。曾经唱着喜羊羊的我们已经成为了无聊的大人，但依旧会被这样的故事打动。
制作上还是很有诚意的，当然片子还是老套了一点
质量上乘的全龄向动漫，没有植入没有暗示，简单欢乐热血的故事，很适合新年放松看。
只能说这类话题已经看够了，前两天看《虹猫蓝兔火凤凰》也有同感，就是有的动画作品只能小孩看。
好久好久没看过喜羊羊大电影系列，画风已经不是当年看的那种。最初动机无外春节前后只有这部风评相对不错，想去看但没人一块儿，今天下映看了一下，还是不错的，虽然篮球对于我这种半肥宅而言谈不上情怀，有些地方不明觉厉，就其情节设计和动画制作上值得推荐。
这个评分有点低啊，五星拉高一下。合格的动画大电影啊。太好看了吧。整个节奏非常流畅，励志的很到位，笑点好几个，泪点也有，暖羊羊我破防了哈哈哈。非常适合小孩子看，也适合大阿姨哈哈哈。篮球比赛设置有中国男篮的影子，烈羊羊确定不是姚明和杜峰吗？“我负责”“20分算个屁”
曾经看着喜羊羊的我们是否已经变成了无聊的大人
七年诶，从小学到了高中
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