Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
怎么说呢...恐怖性到位，就是太乱了这个剧情，给我整得云里来雾里去的 最后金叔还一命呜呼了...
关于建铁塔的狗血爱情剧，除了浪费时间没别的
鬼屋版的恐怖游轮，拍的不错细节挺多，演技也全员在线。
无论何时何地，只要你愿意回头，就能看到我在你身后默默守候。
铁塔立项开始还挺专业的赶脚，说明都挺理工男。。但是对于一个be的感情线也太多了，Emma的大面积特写也没有抗住这种跨越几十年的感情戏。。有点可惜题材了
也不知道是多少杜撰多少真实。如果感情线都是加的，那也太。。。NB了点。真的就瞎改了。
韩式驱魔来一点 废弃大楼探险来一点 时空交错和时空穿越来一点 有各种片的影子 但啥也没说好 逻辑各种混乱 导演都圆不上了
都好像以前港片的鬼！
如果你的场景不是为了剧情服务，那么长时间的黑暗就是个设计的错误。
可能是因为和朋友在一起，总之看电影的时候一直在吐槽 (′～`；），所以评价比较低
其实并不反对鬼片里面搞什么穿越之类的元素，但是多个时空死了多个人，你得给观众讲清楚吧，全靠观众自行脑补吗，那编剧费用倒是给结算下啊
全片仿佛没有高潮，一半时间看到的都是倒映在屏幕里的我的大脸盘子
當女主角嫁給別的男人 而不是跑去找愛人 還背著偷情 這段戀情就令人反感
披着恐怖片外婆的悬疑片，是我喜欢的类型，结局除外．．．．
原来豆瓣脸盲的也是一大把，新版尼罗河上的惨案把艾玛认成“小丑女”，好吧，确实很像。
没想到是爱情电影…主要来看Romain wwww
好好一个可以炫机械技术的电影，硬是让无聊的爱情线占了一大半时间，一到爱情戏就忍不住大翻白眼！铁塔修建中的技术问题，财务问题，轻描淡写一带而过；非要强调爱情线，就请认真对待，结果也刻板印象加浮皮潦草，男主自己生了四个娃，完全不提孩儿们的妈，还一副痴心人设，对女主充满正义的愤怒！我真气得无力吐槽了！女主也是，面相野性，貌似桀骜不驯，结果一连两次都是屁也没放一个地撤退了！
刚从铁塔回来就发现这部电影上映了。两个演员怎么可以这么没有化学反应…
整个片子很乱，时间空间错乱的手法，主题表达不明显，恐怖的地方一错乱就失去恐怖感了。主角除了多命体质没啥突出地方。
气氛烘托到位，还有动不动jump scare
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